Breezy, laugh-out-loud school-of-Westlake caper with plenty of nasty, nihilistic twists, the best yet from screenwriter and crime novelist Eversz (Shooting Elvis, 1996, etc.). Part-time American scam artist and full-time cad Richard Milhous ``Nix'' Miller haunts the dreary streets of post-Communist Prague, adding mileage to his monthly inheritance checks by preying on female tourists who just want to have fun. Posing as a ``seven-figure'' Hollywood screenwriter researching the next Tom Cruise/Julia Roberts vehicle, Nix talks the talk long enough to pilfer his victims' pocketbooks. He then grandly rescues his distressed damsels, spending their money on rousing nights on the town that end in his apartment bedroom. Things go from bad—when he bilks the fiancÇe of a local police detective—to worse, as he falls for a similar scam worked by Monika, a sultry young woman who manages to clean him out without wrinkling his bedsheets. Hopelessly in love, Nix apes Woody Allen aping Bogart in Play It Again Sam as he tries to beat Monika at their mutual game. Things get ugly (as they must) when Nix murders Monika's loathsome pimp, Sven, and then tries to pretend that he's sufficiently ruthless, like the American movie heroes of his fantasies, to shrug off the consequences. Instead of a grudging admiration leading to love, Nix and his femme fatale find themselves in a scrambling contest for power and control. Delightfully dismal glimpses of pathetic tourists and gleefully corrupt Balkan landscapes don't lighten the dead-end grimness of a nihilistic, 1990s-style Innocents Abroad. Smart-alecky, frequently hilarious storytelling, with brainy send-ups of vampiric Europeans and idiotic Americans on the dark side of the post-Cold War Grand Tour.
Pub Date: May 1, 1997
ISBN: 0-8021-1609-4
Page Count: 368
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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