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VOYAGES OF THE PYRAMID BUILDERS

THE TRUE ORIGINS OF THE PYRAMIDS FROM LOST EGYPT TO ANCIENT AMERICA

Gee-whiz industriously wrapped in solid science.

With an assist from Robert Aquinas McNally, his coauthor for Voices of the Rocks (1999), but using the first person throughout, Schoch again asserts that the conventional view about the rise of civilization is both untimely and wrong.

As before, Schoch (Mathematics and Science/Boston Univ.) also works initially from the Sphinx at Giza with its accompanying pyramids and other structures, citing rock types and weathering effects he interprets as proof that the great stone beast is up to 3.5 millennia older than most Egyptologists believe. Thus it predates the Mesopotamian civilization that according to academia predated the Egyptian. Schoch immediately proffers the notion that ancient pyramids—similar, not identical, to those built by the Sphinx-builders—are found in every continent on the globe except Australia and Antarctica. Some readers may sense the stuff of Sunday comics to follow, but the professor does not stoop. His case for the existence of prehistoric cultured societies with both the inclination and capability to spread their influence and hallmarks around the globe, including the Americas, is carefully crafted. Artifacts like Roman masons’ marks found on Mesoamerican stonework, cultural “coincidences” (e.g., both the Aztecs and ancient Chinese looked at the moon and saw a rabbit, not a man’s face), and even Old World plants and animals (mummified dogs in Peru resembling those of Egypt) have all been scientifically shown to predate the “first contact” voyages of Columbus. The presentation of this material is as entertaining as science-writing gets, and Schoch doesn’t shrink from debunking spurious “facts,” whether they support his case or not. As for ocean barriers, the 20th-century rafting and reed-boat adventures of, respectively, Kon-Tiki and Ra speak for themselves, he says. His theory that huge astronomical disasters like comets or meteor strikes provided the incentive for ancient mass migrations comes, however, as an extended anticlimax.

Gee-whiz industriously wrapped in solid science.

Pub Date: Feb. 1, 2003

ISBN: 1-58542-203-7

Page Count: 352

Publisher: TarcherPerigee

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2002

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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