An amusing, zigzagging adventure starring an unlikely hero with a plethora of issues big and small.
McKean’s comedic novel follows a divorced father in western Pennsylvania.
Peter Sanguedolce’s ex-wife, Avis, is a tough-minded attorney. When issues come up regarding the custody of their daughter, Jeanette, he does not have a lot of sway. A good-natured slacker, Peter inherited a family business that manufactured clay piping. This business subsequently failed. Peter now tends to spend his days overeating and vaguely considering reentering the business world. When his neighbor Jacob Weiner is put into a nursing home, he develops a friendship with the cantankerous old man. Jacob was the “chairman emeritus of the Oak Grove Music School Woodwinds Department,” and, though skilled with a clarinet, he was not (according to his daughter) the most able parent. Despite Peter’s general lack of direction (at one point he takes up baking), he has some pressing issues: Avis wants to send Jeanette away to boarding school in Connecticut. This does not seem to be the best fit for Jeanette, and Peter is suspicious of both Avis and her new husband, a budding politician named Elliott Fields. Meanwhile, Peter develops a relationship with Fay Halbrunner, the woman who bought Jacob’s former home. Fay insists that she and Peter try to help Jacob reengage with life. A road trip ensues in Peter’s 1988 Cadillac Brougham. It is not the last time in the narrative he will hit the road, journeying into the unknown with good (though misguided) intentions.
The plot features multiple twists and turns: Just as it seems that the situation with Avis is resolved and that the self-assured attorney has no more use for her ex-husband, cracks appear in her relationship with Elliott. When Fay has secured Peter’s interest, she suddenly finds that she has other business to attend to. These developments hold the reader’s interest as Peter eats (and drives) his way through his problems. Many of the motivations of the characters amount to very inconsequential, mundane issues; the nagging concerns over where to send Jeanette to school aren’t particularly funny or insightful. Even as the reader discovers the real reason Avis is so keen to send their daughter away, it does not make up for previous bland conversations on the subject. When an admissions director at a school asks Peter, “What makes you think that we’re the right one for Jeanette?” his response is as dull as the question. By contrast, Elliott, the obvious villain from the start, garners much greater intrigue: What exactly is this guy after? Why is he such a jerk? How will Peter manage to outfox the wily aspiring district attorney? This aspect of the story, along with comical lines, such as when Peter complains about construction workers blasting their radios (“Does each man have his own Rush Limbaugh?”), keeps it in motion, long after the Cadillac Brougham meets its own unhappy demise.
Pub Date: N/A
ISBN: 9781604893410
Page Count: 338
Publisher: Livingston Press
Review Posted Online: May 3, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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