An amusing, zigzagging adventure starring an unlikely hero with a plethora of issues big and small.
McKean’s comedic novel follows a divorced father in western Pennsylvania.
Peter Sanguedolce’s ex-wife, Avis, is a tough-minded attorney. When issues come up regarding the custody of their daughter, Jeanette, he does not have a lot of sway. A good-natured slacker, Peter inherited a family business that manufactured clay piping. This business subsequently failed. Peter now tends to spend his days overeating and vaguely considering reentering the business world. When his neighbor Jacob Weiner is put into a nursing home, he develops a friendship with the cantankerous old man. Jacob was the “chairman emeritus of the Oak Grove Music School Woodwinds Department,” and, though skilled with a clarinet, he was not (according to his daughter) the most able parent. Despite Peter’s general lack of direction (at one point he takes up baking), he has some pressing issues: Avis wants to send Jeanette away to boarding school in Connecticut. This does not seem to be the best fit for Jeanette, and Peter is suspicious of both Avis and her new husband, a budding politician named Elliott Fields. Meanwhile, Peter develops a relationship with Fay Halbrunner, the woman who bought Jacob’s former home. Fay insists that she and Peter try to help Jacob reengage with life. A road trip ensues in Peter’s 1988 Cadillac Brougham. It is not the last time in the narrative he will hit the road, journeying into the unknown with good (though misguided) intentions.
The plot features multiple twists and turns: Just as it seems that the situation with Avis is resolved and that the self-assured attorney has no more use for her ex-husband, cracks appear in her relationship with Elliott. When Fay has secured Peter’s interest, she suddenly finds that she has other business to attend to. These developments hold the reader’s interest as Peter eats (and drives) his way through his problems. Many of the motivations of the characters amount to very inconsequential, mundane issues; the nagging concerns over where to send Jeanette to school aren’t particularly funny or insightful. Even as the reader discovers the real reason Avis is so keen to send their daughter away, it does not make up for previous bland conversations on the subject. When an admissions director at a school asks Peter, “What makes you think that we’re the right one for Jeanette?” his response is as dull as the question. By contrast, Elliott, the obvious villain from the start, garners much greater intrigue: What exactly is this guy after? Why is he such a jerk? How will Peter manage to outfox the wily aspiring district attorney? This aspect of the story, along with comical lines, such as when Peter complains about construction workers blasting their radios (“Does each man have his own Rush Limbaugh?”), keeps it in motion, long after the Cadillac Brougham meets its own unhappy demise.
Pub Date: N/A
ISBN: 9781604893410
Page Count: 338
Publisher: Livingston Press
Review Posted Online: May 3, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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