by Robert Michael Kelly ‧ RELEASE DATE: N/A
A gripping and richly detailed breakdown of one Georgia murder case.
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A history of the arrest, conviction, and subsequent legal history of man convicted in 1995.
Clevon Jamel Jenkins was a teenager in Georgia in 1995 when he was convicted of robbery and murder due to his participation in a group that robbed a convenience store and killed the owner. Represented at trial by two court-appointed lawyers, Jenkins, who maintained his innocence and claimed he had no knowledge of what his friends intended to do, was sentenced to life without parole after a trial that lasted two days. Kelly, in this memoir, recounts the known details of the crime and his own role in the story—he took the case to represent Jenkins in his motion for a new trial (Jenkins’ mother had worked as a legal secretary at Kelly’s New York law firm). The author points out several damning shortcomings on the prosecution’s part: There was no physical evidence connecting Jenkins to the crime, no eyewitnesses, and the only incrimination testimony came from one of the robbery participants, who was certainly guilty and had lied to the police several times about the case. Kelly likewise argues that both the judge and defense counsel had made several serious errors in the course of the trial, and yet the motion for a new trial and all later appeals were denied. He analyzes every one of these errors (and incompetencies) as the appeal made its torturously slow progress through the court system. Relying on court records and his own extensive personal archive, Kelly reconstructs every twist and turn in his campaign to get what he views as restorative justice for Jenkins.
Although it’s arguably unseemly of Kelly to refer to his own book as “riveting and thought-provoking,” it’s a largely accurate assessment, thanks to his narrative skill and enjoyably combative tone (“Although Jamel was found guilty by every court that reviewed his case,” reads a typical passage, “those decisions are not worth the paper they were written on”). The author is also very good at explaining and clarifying legal concepts, describing the mechanics, for instance, of how a direct appeal works. He follows the process at an almost day-by-day level of detail, providing lengthy quotes and filling the bottom of almost every page with footnotes. Kelly’s reliably dramatic and opinionated when it comes to his cast of characters—he asks of the appeals judge, “If he could not compose a simple one-paragraph order without making four major errors, how could he possibly rule on the complicated issues that were presented by Jenkins’ petition?” Kelly is the first to acknowledge that he can never know with 100% certainty that the claims of his former client are true; Jenkins could be lying about not knowing anything about the crime or about participating in it beyond the status of an observer. And despite his passionate advocacy throughout the narrative, he never really comes close to constructing a convincing case for Jenkins’ innocence; readers may question the complacency of the Georgia authorities, but it’s unlikely that many of them will side with Jenkins (and by extension Kelly) by the final page. Still, the book provides a genuinely compelling nuts-and-bolts account of how the U.S. justice system works.
A gripping and richly detailed breakdown of one Georgia murder case.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Nov. 6, 2025
Review Program: Kirkus Indie
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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