by Robert Paul Weston ‧ RELEASE DATE: Feb. 7, 2013
Lighthearted flummery, far from routine.
Like Zorgamazoo (2008),
A novel in rhyme, anything but sedate.
It seems that Francesca, a book-loving princess
Cares nothing for Fashion, despite her dad’s winces—
Till scorned by the guests who have come one and all
To the Kingdom of Spiff’s Centenary Ball,
She blanches in shock from their laughter and jeers
And runs off in naught but pajamas and tears.
Likewise Prince Puggly from neighboring Spud
Is subjected to similar slinging of mud,
And reeling dismayed from the general mocks
At his laughable wig and nonmatching socks
Conspires with Fran on a brilliant prank
That leaves their tormentors repentant but rank.
Presented in couplets that use a full range
Of fanciful fonts and typography strange,
This sendup of Fashion quite properly ends
With a note about slavishly following Trends.
Pub Date: Feb. 7, 2013
ISBN: 978-1-59514-567-3
Page Count: 256
Publisher: Razorbill/Penguin
Review Posted Online: Oct. 30, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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by Robert Paul Weston ; illustrated by Misa Saburi
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: July 21, 2015
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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by Soman Chainani ; illustrated by Iacopo Bruno
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by Scott Reintgen ‧ RELEASE DATE: May 31, 2022
A very promising kickoff with arbitrary but intriguingly challenging magic.
A middle schooler discovers both up and down sides to being able to foretell the future.
Members of the Cleary clan in alternating generations have always been granted predictive powers on their 4,444th day of life, and Celia has been eagerly looking forward to her first vision—until, that is, it comes and reveals that cute, quiet classmate Jeffrey is slated to die in a hit-and-run. Weighing her horror against her wise Grammy’s warnings that fate is inexorable, she contrives a way to head off the accident…only to foresee another fatal mishap in his future. And another. By the time she’s saved his life five times in a row, she’s not only exhausted, but crushing on the hapless lad. (As, unsurprisingly, he is on her.) Reintgen generally keeps the tone of his series opener light, so even after Celia discovers that there’s ultimately a tragic price for her intervention, the ensuing funeral service is marked by as much laughter as sorrow. The author surrounds his frantic but good-hearted protagonist with a particularly sturdy supporting cast that includes gratifyingly cooperative friends as well as her Grammy and loving, if nonmagical, mom. There don’t seem to be many Cleary men around; perhaps that and certain other curious elements, like a chart listing particular Cleary specialties with names such as Dreamwalker and Grimdark, will be addressed in future entries. Main characters read as White.
A very promising kickoff with arbitrary but intriguingly challenging magic. (Fantasy. 10-13)Pub Date: May 31, 2022
ISBN: 978-1-66590-357-8
Page Count: 352
Publisher: Aladdin
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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