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THE RED DOT CLUB

VICTIMS' VOICES

A book that vividly captures the experiences of cops as they make life-or-death decisions.

Awards & Accolades

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A former Los Angeles peace officer presents a collection of first-person accounts involving the use of lethal force.

Retired LA County sheriff’s deputy Rangel (The Red Dot Club, 2014, etc.) takes another trip into the trenches of law enforcement, focusing on officer-involved shootings. Like his previous book, this sequel combines Rangel’s reminiscences with those of other police officers who, in many cases, faced death at the end of a gun, and some suffered horrific gunshot injuries. “We have a conscience and a reverence for life,” Rangel writes, but he also notes that “We understand to win in a life and death struggle we have to be more violent than those assaulting us.” The no-holds-barred testimonies of the author’s fellow cops evocatively detail what an officer feels and experiences, moment by moment, while in the line of fire; “How else can you understand the horror unless I take you there all the way?” Rangel explains. One officer describes a bullet striking a suspect in the skull, “like his head was smoking a cigarette”; another remembers the sensations of being shot: “you take a match and drag it across the striker on the side of the box….It was a thousand mile an hour fast red-hot zip tearing through me.” Certain common themes emerge—how time slows to a crawl, even though most gunfights last only a few seconds, and the incandescent rage that officers feel after being wounded: “I was in disbelief and offended that he actually wanted to kill me,” remembers one, while another says, “My mind screamed, ‘HOW DARE YOU TRY AND TAKE ME AWAY FROM MY FAMILY!!!’ ” Some readers may find the book’s oral history format somewhat repetitive, but Rangel does succeed in portraying officers’ emotions in unimaginably stressful circumstances. “Society almost expects the cop to be schizophrenic,” says a former El Segundo, California, officer. “You are supposed to be a robot and not a robot. It is the job that takes the most varied sets of skills there is.”

A book that vividly captures the experiences of cops as they make life-or-death decisions.

Pub Date: May 1, 2018

ISBN: 978-0-9903173-7-1

Page Count: 338

Publisher: CreateSpace

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: May 15, 2018

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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