by Robert Ratcliffe ‧ RELEASE DATE: July 27, 2015
A run-of-the-mill thriller with unsteady aim.
A wisecracking analyst unwittingly finds himself in the thick of an international espionage operation in Ratcliffe’s (Red Hammer 1994, 2013) latest.
Cocky computer analyst John Reirdon is laid off in a round of downsizing at Sandia National Laboratory. Things only get worse when he’s on the outside. His close friend Peter Ferguson suspects fishy things are happening at the lab. Mysterious computer bugs are showing up, ones that can potentially compromise national security. Shortly after Peter shares his concerns with his friend, he’s killed. Sensing blood in the water, Reirdon escalates the issue, until a nondescript computer glitch is confirmed as a critical cyberattack. Oddly, the perpetrator isn’t one of the usual suspects—all fingers point to Japan. But who in Japan, an American ally, would do something so bold, so stupid? Unless, as Reirdon thinks, there’s another explanation. To get it, he’ll have plenty of help, most notably from NSA computer specialist Victoria Kowalski. “This one had all the trappings of a full-blown espionage thriller,” Reirdon wryly notes; he’s right. The novel starts out promisingly and with a bang. Unfortunately, this is no Jason Bourne escapade. Endless military acronyms, procedural details, and computer jargon—“The Linux 3.1 that we run on the NEC is B1”—bog down the narrative, which could use some heavy editing. The narrative strays from the show-don’t-tell directive, and it’s easy to predict most outcomes from a mile away. Clichés abound, and though Reirdon might have the requisite heart of gold under that tough exterior, it rarely shines through. Borderline misogynistic statements—“It was time to mount the confessional, spill his guts to yet one more supposedly understanding female”—don’t help either.
A run-of-the-mill thriller with unsteady aim.Pub Date: July 27, 2015
ISBN: 978-1-5119-2882-3
Page Count: 510
Publisher: CreateSpace
Review Posted Online: July 21, 2017
Review Program: Kirkus Indie
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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538
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
Likes
121
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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