A selective but resplendent tour.

READ REVIEW

THE WHITE HOUSE

A POP-UP OF OUR NATION'S HOME

White House high spots, presented with 3-D flair by the archon of paper architects.

The opening multileveled scene of the building under construction—with working hoists, workers properly both dark and light of skin, and the real story about Dolley Madison’s rescue of the Washington portrait hidden beneath a side flap—sets high expectations that are more than met on subsequent spreads. The East Room sports a huge, bewilderingly complicated chandelier; the austerely furnished Lincoln Study is transformed to a bedroom with a flip; the Rose Garden and, at the end, the South Lawn offer broad expanses of green to set off the elegant white gallery and South Portico that rise up. Thanks to some masterly slides and interlocking folds, the climactic Oval Office actually is an uncreased half oval, with the flag-flanked presidential desk and (unoccupied) chair filling the center space. Along with brief captions and historical notes, Sabuda includes a public domain inaugural poem that he’s foresightedly tweaked by changing “man” to “person,” “his” to “our president,” and like alterations. As usual, the pop-ups are so complex and fragile that careful handling is a must. But for young readers on their way as tourists or otherwise to the nation’s capital, here’s a grand first glimpse.

A selective but resplendent tour. (Informational pop-up. 6-9)

Pub Date: Dec. 29, 2015

ISBN: 978-0-545-54089-6

Page Count: 12

Publisher: Orchard/Scholastic

Review Posted Online: Nov. 17, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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While this is not an essential purchase, most little pumpkins will love being told, “Baby, I'm batty for you!” (Board book....

YOU ARE MY PUMPKIN

Young children won't understand the metaphors but will appreciate the sentiment made clear by the repeated, Halloween-themed declarations of love in Wan's latest board book.

Each of the seven spreads presents an endearment illustrated by an object drawn with heavy outlines and just enough detail to invoke its essential characteristics. Lest it become too maudlin, between the “sugary, sweet candy corn” and a “purr-fect, cuddly kitty” is a “wild, messy monster.” Wan manages to make each drawing expressive and distinctive while relying on just a few shapes—crescents or circles for eyes, dots or ovals accenting cheeks. Although each spread stands alone, there are quiet connections. For example, the orange of the pumpkin is repeated in the candy corn, and the purple that adorns kitty's hat and bow becomes the prominent color on the next spread, setting off the friendly white ghost nicely. The same purple is used for the spider's body on the next to last spread. Subtle, shadowed backgrounds repeat the patterns found elsewhere in the book. For example, the background of the page with the kitty includes pumpkins, hearts, and hats and bows like the ones kitty is wearing.

While this is not an essential purchase, most little pumpkins will love being told, “Baby, I'm batty for you!” (Board book. 6 mos.-3)

Pub Date: June 28, 2016

ISBN: 978-0-545-88092-3

Page Count: 14

Publisher: Cartwheel/Scholastic

Review Posted Online: May 14, 2016

Kirkus Reviews Issue: July 1, 2016

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An earnest, emotionally honest effort with lovely illustrations complementing a sweet if sentimental message.

LOVE, SANTA

A girl named Lucy writes letters to Santa each Christmas as she comes to understand who Santa really is.

The story opens when Lucy is 5, as she prints her letter to Santa, tongue sticking out with the effort. The letter is shown in the accompanying illustration, and a facsimile letter is included in a fancy, gold envelope glued into the book. Lucy’s letters from the next two Christmases are included in similar, attached envelopes, along with two letters in red envelopes that Santa leaves in response. When Lucy is 8, she writes a note to her mom asking if she is Santa, on Christmas morning receiving a letter in one of Santa’s red envelopes but written by Lucy’s mom. This letter is long and sentimental, explaining that “parents” give the actual presents, but the spirit of Santa is real. Charming watercolor illustrations show Lucy’s development. One picture of Santa looking on in dismay as Lucy writes a doubtful letter (“Why does your handwriting look like my mom’s?”) introduces ambiguity about what’s real and what isn’t. (Lucy is also shown riding her bike without a helmet.) Lucy, her parents, and Santa are white; background figures are racially diverse. The admission of parental involvement in Santa’s gift deliveries may make it unsuitable in households with little ones who still believe in Santa’s magic.

An earnest, emotionally honest effort with lovely illustrations complementing a sweet if sentimental message. (Picture book. 6-9)

Pub Date: Sept. 26, 2017

ISBN: 978-0-545-70030-6

Page Count: 32

Publisher: Scholastic

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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