The historically freighted match between Joe Louis and Max Schmeling forms the backdrop for this compelling coming-of-age novel. Fourteen-year-old Karl Stern has never considered himself Jewish. His father is an atheist, his mother an agnostic. He grew up in a secular household, has no religious background and even has a religiously neutral name. But in 1934 Berlin, with the rise of the Nazis and the newly entitled bullies at school, Karl is Jewish. He gets beaten up and, eventually, expelled from school. Enter Max Schmeling, heavyweight champion of the world, who offers Karl boxing lessons in exchange for a portrait from Mr. Stern’s art gallery. Karl’s journey to manhood, from 1934 to 1938, is a rough one for a Jewish boy in Nazi Germany, but Sharenow weaves a colorful tale from the cultural context of the mid-1930s: the Holocaust, Kristallnacht, degenerate art, Joe Louis, Jesse Owens, Picasso and Matisse. Besides being an up-and-coming boxer, Karl is a cartoonist, and his cartoons and drawings add visual depth to the novel, effectively delineating Karl’s growing sense of himself and his purpose, inspired by his beloved Action Comics hero, Superman. A brief author’s note continues the story beyond 1938, relating the postwar friendship between Schmeling and Joe Louis. A fine one-two punch with the author’s previous powerful work, My Mother the Cheerleader (2007). (sources) (Historical fiction. 12 & up)
Pub Date: May 17, 2011
ISBN: 978-0-06-157968-4
Page Count: 400
Publisher: HarperTeen
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
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