Next book

THE BERLIN BOXING CLUB

The historically freighted match between Joe Louis and Max Schmeling forms the backdrop for this compelling coming-of-age novel. Fourteen-year-old Karl Stern has never considered himself Jewish. His father is an atheist, his mother an agnostic. He grew up in a secular household, has no religious background and even has a religiously neutral name. But in 1934 Berlin, with the rise of the Nazis and the newly entitled bullies at school, Karl is Jewish. He gets beaten up and, eventually, expelled from school. Enter Max Schmeling, heavyweight champion of the world, who offers Karl boxing lessons in exchange for a portrait from Mr. Stern’s art gallery. Karl’s journey to manhood, from 1934 to 1938, is a rough one for a Jewish boy in Nazi Germany, but Sharenow weaves a colorful tale from the cultural context of the mid-1930s: the Holocaust, Kristallnacht, degenerate art, Joe Louis, Jesse Owens, Picasso and Matisse. Besides being an up-and-coming boxer, Karl is a cartoonist, and his cartoons and drawings add visual depth to the novel, effectively delineating Karl’s growing sense of himself and his purpose, inspired by his beloved Action Comics hero, Superman. A brief author’s note continues the story beyond 1938, relating the postwar friendship between Schmeling and Joe Louis. A fine one-two punch with the author’s previous powerful work, My Mother the Cheerleader (2007). (sources) (Historical fiction. 12 & up)

Pub Date: May 17, 2011

ISBN: 978-0-06-157968-4

Page Count: 400

Publisher: HarperTeen

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

Awards & Accolades

Likes

  • Readers Vote
  • 23


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

Awards & Accolades

Likes

  • Readers Vote
  • 23


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 74


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

Awards & Accolades

Likes

  • Readers Vote
  • 74


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

Close Quickview