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ASTEROID

AN APOCALYPTIC JOURNEY

A doomsday novel lacking the characters or literary chops to distinguish itself in a crowded field.

Steimke’s end-of-days thriller follows the course of an unlikely farmer-turned-astronomer.

The narrative begins, somewhat jarringly, with a retelling of the dawn of man and the original sin. Though the author plumbs no new depths here, the parable does set readers up for the scale of the story he wishes to tell—only the Bible could serve as a fitting tone-setter. After the theological interlude, the action begins as readers meet John Johansen sitting beneath the North Dakota stars; he’s a widower and farmer with a serious astronomy hobby. While looking to the skies for peace in the aftermath of his wife’s death, John spies what he believes to be a previously unrecorded object and reports it to the Minor Planet Center in Cambridge, Massachusetts. A scientist at the Minor Planet Center named Lloyd Phillips (or is it Lloyd Patterson? The text switches surnames—a distressing indication of a lack of proofreading) does some digging and confirms that what John spotted is an asteroid—and one that is troublingly close to Earth. Meanwhile, in New York City, Ryan, a financier, is putting the finishing touches a career, flaming out thanks to the corporate grind and a raging cocaine habit in a plot thread that feels wholly unrelated to the major narrative until much later. News of the asteroid reaches Dr. Ted Shipley, a scientific advisor to the president. Shipley rejoices in the career-making moment he’s been waiting for: “Now he had something! He looked up at the ceiling and said, ‘Oh, thank you Lord.’” (This enthusiasm seems misplaced, as the space rock is due to collide with Earth in five scant days.) From here, a classic setup for a doomsday story is established: There are the average citizens who find themselves in extraordinary circumstances, the egotistical master-of-the-universe types facing a comeuppance, and the government scientists fighting with the bureaucrats and the president. All scramble to save humanity (or in some cases just themselves) before the asteroid wipes out life on Earth as we know it.

Though one might expect some intrigue brewing among such a large cast—it continues to grow far beyond what is described above—John Johansen is likely to be the only character who sticks in readers’ imaginations. The novel has the scope of an expansive thriller with global implications, but between the stilted prose and text that is formatted in such a way that often makes it difficult to read, the end result feels inescapably amateurish. The basic components for a compelling, action-driven story are in place, but the characters—the surprisingly brilliant farmer mourning his wife, the financier who can’t stop burning his considerable wealth on cocaine, government lackeys with ulterior motives—are cliches, and their background details feel unimaginative and somewhat shoehorned into the text, as when Ryan tells himself it is time to get serious about quitting cocaine: “Once when [he and his father] were in an all-too-common argument, his father had called him ‘weak.’ This ‘label’ had stuck in his gut and bothered him ever since.” Readers may find such well-worn tropes sticking in their craws, too.

A doomsday novel lacking the characters or literary chops to distinguish itself in a crowded field.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Oct. 24, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SECRET OF SECRETS

A standout in the series.

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The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.

“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.

A standout in the series.

Pub Date: Sept. 9, 2025

ISBN: 9780385546898

Page Count: 688

Publisher: Doubleday

Review Posted Online: Sept. 9, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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