by Robert Sullivan ‧ RELEASE DATE: July 1, 2006
A dazzling account of America’s most archetypal odyssey, with much social history slyly and wryly inserted.
Rollicking, ironic chronicle of a family car trip from Oregon to New York, interlaced with stories about previous trips, Lewis and Clark, Jack Kerouac, varieties of coffee lids, and . . . well, see the subtitle.
Sullivan, who seems to specialize in quirky, uncategorize-able subjects (Rats, 2004, etc.), takes us on a journey that’s sentimental but also literate, literary, amusing, informative, wicked, self-deprecating and deeply entertaining. Beginning with the observation that the so-called “real America” does not necessarily appear only along the blue highways, he restricts himself (mostly) to the interstates, whose history he relates along the way. He details his preparations (he used AAA TripTiks), the stops he made (he golfed in Montana and examined Geese in Flight, a huge roadside sculpture in North Dakota), the thoughts he had, the interactions with his wife, son and daughter. The text is intentionally and effectively digressive as the author takes myriad detours. One notable example: Sullivan gives us a full account of a previous, horrible cross-country trip in a rented moving van—it misbehaved, then broke down—but he thin-slices the story and inserts pieces of it throughout the narrative. In similar fashion, we also learn about the history of cross-country highways, motels, fast food (Sullivan seems especially interested in the Kum & Go chain), service stations that no longer offer service, the Cannonball Run, the varieties of roadside coffee. We hear about the genesis of guidebooks and how FDR helped design a portion of the Taconic Parkway. We ride along for a bit with Emily Post, who wrote a book about cross-country travel in 1916; we learn that approximately 1.5 million deer are hit by cars each year. Sullivan occasionally offers photocopies of his amusing diary pages and crude but evocative drawings.
A dazzling account of America’s most archetypal odyssey, with much social history slyly and wryly inserted.Pub Date: July 1, 2006
ISBN: 1-58234-527-9
Page Count: 400
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2006
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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