Tailor-made for trivia lovers and readers who don’t mind the scenic route. Those looking for a more straightforward...

MY AMERICAN REVOLUTION

In a roving, digressive memoir, Vogue contributor Sullivan (The Thoreau You Don't Know: What the Prophet of Environmentalism Really Meant, 2009, etc.) traces Revolutionary War history in and around New York and New Jersey.

Looking down from the top of the Empire State Building, the author saw a war landscape he believed to be neglected. Inspired to bring the Revolutionary War history of his hometown into his own present, Sullivan embarked on a long, twisting journey. Though his motives were somewhat muddled from the beginning, his recreational, relaxed plan was to cross the Delaware River, venture into the mountains, and finish the journey by visiting sites and memories inside New York City. Readers are sure to learn plenty from his travels, including little-celebrated battles and long-forgotten soldiers whose stories never made history textbooks. Throughout, the author meanders through his recounting of history, never ignoring a possible detour. In one instance, the fact that a building bearing a Revolutionary War plaque now houses a Trader Joe’s store leads to a footnote about colonists boycotting imported English goods and then ends in an anecdote about the kidnapping of Theo Albrecht, the now-deceased former owner of Trader Joe’s. Much of the book reads like a journal edited to add more information rather than to streamline thoughts. Considering Sullivan’s obvious passion for many of the tangential subjects—associated art and literature, for example—a book of essays might have been a more appropriate project for a general audience.

Tailor-made for trivia lovers and readers who don’t mind the scenic route. Those looking for a more straightforward narrative are likely to be frustrated.

Pub Date: Sept. 4, 2012

ISBN: 978-0-374-21745-7

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 12, 2012

Kirkus Reviews Issue: July 1, 2012

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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