A painstaking work of research and careful observation.
A rich tapestry of Nile lore and legend, stretching from the ancients to the fall of the latest tyrant.
British author Twigger (Dr. Ragab’s Universal Language, 2009, etc.) lived in Cairo for seven years before fleeing the revolution in 2011. Here, the author compiles a vast compendium of drama and history around the attempts to control the Nile. Somewhat chronological but hardly linear, Twigger’s labor of love meanders, much like its subject. History itself began there, in the Great Rift Valley of East Africa, from which emerged not one but three Niles: The Blue Nile rises in Ethiopia; the White in central Africa; and the mighty Red flowing from Lake Victoria (fed by the Kagera River coming down from the so-called Mountains of the Moon, which Twigger maintains is the Nile’s true source) to the Mediterranean Delta. Why is it red? That is the color of the silt, as well as the rare algal bloom known to turn the surface red and kill the fish, which might explain Egypt’s first plague: the “river of blood” Moses created when he struck the surface as dictated by God. Nonetheless, red is the color of blood, life, violence, passion and revolution, and the Nile delivers each in turn. The earliest inhabitants of the areas around the river were hunter-gatherers who followed the river as the game roamed and probably gave their things away as they moved rather than hoarding what they could not carry. Especially fascinating is the lore surrounding the powerful and dangerous animals that haunt the river and were depicted by ancients as demigods: baboons, hippos and crocodiles. Indeed, the Nile gave birth not only to mad kings and caliphs, from Cleopatra to Hakim, Napoleon to Lord Kitchener, but the theory of blood circulation, understood by Ibn al-Nafis 400 years before William Harvey.
A painstaking work of research and careful observation.Pub Date: Oct. 7, 2014
ISBN: 978-1-250-05233-9
Page Count: 480
Publisher: Dunne/St. Martin's
Review Posted Online: July 1, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK REVIEW
BOOK REVIEW
Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.
Remarkably comprehensive and coherent analysis of and prescriptions for America’s contemporary economic malaise by Pulitzer Prize–winning journalist Smith (Rethinking America, 1995, etc.).
“Over the past three decades,” writes the author, “we have become Two Americas.” We have arrived at a new Gilded Age, where “gross inequality of income and wealth” have become endemic. Such inequality is not simply the result of “impersonal and irresistible market forces,” but of quite deliberate corporate strategies and the public policies that enabled them. Smith sets out on a mission to trace the history of these strategies and policies, which transformed America from a roughly fair society to its current status as a plutocracy. He leaves few stones unturned. CEO culture has moved since the 1970s from a concern for the general well-being of society, including employees, to the single-minded pursuit of personal enrichment and short-term increases in stock prices. During much of the ’70s, CEO pay was roughly 40 times a worker’s pay; today that number is 367. Whether it be through outsourcing and factory closings, corporate reneging on once-promised contributions to employee health and retirement funds, the deregulation of Wall Street and the financial markets, a tax code which favors overwhelmingly the interests of corporate heads and the superrich—all of which Smith examines in fascinating detail—the American middle class has been left floundering. For its part, government has simply become an enabler and partner of the rich, as the rich have turned wealth into political influence and rigid conservative opposition has created the politics of gridlock. What, then, is to be done? Here, Smith’s brilliant analyses turn tepid, as he advocates for “a peaceful political revolution at the grassroots” to realign the priorities of government and the economy but offers only the vaguest of clues as to how this might occur.
Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.Pub Date: Sept. 11, 2012
ISBN: 978-1-4000-6966-8
Page Count: 576
Publisher: Random House
Review Posted Online: July 16, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
Never especially challenging or provocative but pleasant enough light reading.
Former Dirty Jobs star Rowe serves up a few dozen brief human-interest stories.
Building on his popular podcast, the author “tells some true stories you probably don’t know, about some famous people you probably do.” Some of those stories, he allows, have been subject to correction, just as on his TV show he was “corrected on windmills and oil derricks, coal mines and construction sites, frack tanks, pig farms, slime lines, and lumber mills.” Still, it’s clear that he takes pains to get things right even if he’s not above a few too-obvious groaners, writing about erections (of skyscrapers, that is, and, less elegantly, of pigs) here and Joan Rivers (“the Bonnie Parker of comedy”) there, working the likes of Bob Dylan, William Randolph Hearst, and John Wayne into the discourse. The most charming pieces play on Rowe’s own foibles. In one, he writes of having taken a soft job as a “caretaker”—in quotes—of a country estate with few clear lines of responsibility save, as he reveals, humoring the resident ghost. As the author notes on his website, being a TV host gave him great skills in “talking for long periods without saying anything of substance,” and some of his stories are more filler than compelling narrative. In others, though, he digs deeper, as when he writes of Jason Everman, a rock guitarist who walked away from two spectacularly successful bands (Nirvana and Soundgarden) in order to serve as a special forces operative: “If you thought that Pete Best blew his chance with the Beatles, consider this: the first band Jason bungled sold 30 million records in a single year.” Speaking of rock stars, Rowe does a good job with the oft-repeated matter of Charlie Manson’s brief career as a songwriter: “No one can say if having his song stolen by the Beach Boys pushed Charlie over the edge,” writes the author, but it can’t have helped.
Never especially challenging or provocative but pleasant enough light reading.Pub Date: Oct. 15, 2019
ISBN: 978-1-982130-85-5
Page Count: 224
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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