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THE MEMORANDUM

JUSTICE FORGED BY FIRE

A well-written and engrossing tale of a real-life legal battle.

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A debut novel offers the true account of a wrongful death suit filed against General Motors concerning a lethal car accident in the early 1990s.

Tragedy strikes the vacationing Murphys when they are visiting relatives in Virginia. While the family is stopped at a tollbooth in an Oldsmobile Cutlass Cruiser, a runaway trailer hits the station wagon’s bumper. The minor impact is enough to puncture the unprotected gas tank, which engulfs the vehicle in flames. Mike and Catherine Murphy and their daughter, Katie, as well as Mike’s cousin Jane Reilly are all severely burned. But Jane’s 21-year-old niece, Nancy Harris, and 13-year-old Matt Murphy do not survive. The Murphys then seek help from attorney Kelley in their home state of Florida. He files suit against GM, but it is a trial he watches later on Court TV that gives him direction. That trial involves a wrongful death suit against the car company and includes testimony from former GM engineer Ronald Elwell. He essentially claims that the company knew of faulty fuel tanks (in this case, a truck) and covered it up. GM subsequently backs the imposition of a gag order against Elwell, but Kelley is determined to prove the Oldsmobile likewise lacked an adequately shielded fuel tank. What follows are years of GM representatives evading answers in depositions and the company refusing to provide requested documentation. Kelley is convinced one item in particular will prove that GM implemented a value analysis, which weighed the cost of adding the gas-tank shields against the expense of individual deaths resulting from fuel-fed fires. The novel, which Kelley wrote with Harrison, tells a riveting true story. Though the narrative predominantly relays facts from Kelley’s perspective, it still has flair. For example, it opens with the accident in Virginia, a harrowing description that the attorney derives from the family’s and fellow motorists’ eyewitness accounts. Unsurprisingly, GM comes across as the story’s villain. The tale sometimes depicts GM reps in an unflattering light, like the in-house lawyer who’s “blathering away on the witness stand” or the individual who’s “mousy-looking” with “small, dark eyes.” But GM’s actions are dubious on their own, like the company’s obvious stall tactics (for example, just prior to the deadline for requested drawings and blueprints, GM sends Kelley over 30,000 documents). The work adds a bit of anticipation for readers by teasing the titular memorandum, a damning piece of evidence that marks a turning point in the case. Even if readers foresee the document’s contents, the lawyer’s attempts to get his hands on it involve a rousing fight. But there’s humor as well: Kelley equates GM’s evasive responses with trying to retrieve answers from a 5-year-old child (“Did you eat the cookies?” “Cookies?”). The prose is smart but unadorned, and the story clearly explains uncommon legal terms, such as duces tecum, that most readers won’t likely know. Though the bulk of the book is the ongoing case, the attorney provides a glimpse into his personal life, including his divorce and an early introduction to John Uustal, his eventual law partner. 

A well-written and engrossing tale of a real-life legal battle.

Pub Date: N/A

ISBN: 978-1-947779-14-3

Page Count: 254

Publisher: Sutton Hart Press, llc

Review Posted Online: Sept. 6, 2019

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COME CLOSER

The Yellow Wallpaper meets Rosemary’s Baby in a slim, wonderfully eerie novel.

In a decidedly creepy departure from her debut (Saturn’s Return to New York, 2001: a charmer about mothers and daughters in literary New York), Gran tells of a young woman possessed by a demon.

Amanda narrates as she describes her own frightening decline from a young, happily married architect to a woman she barely recognizes, possessed by the ancient demon Naamah. It begins imperceptibly at first—strange tapping sounds in her loft, increasing discord between her and husband Ed, her taking up cigarettes—but all these things are explained away by common sense: the loft is old and squeaks, she and Ed need more quality time together, stress at work has drawn her back to a bad habit. Perfectly reasonable, but in retrospect Amanda sees these inconsequential changes as signs of the demon taking hold of her. She dreams of Naamah: she and the demon wade in a sea of blood, Naamah, with beautiful black hair and pointy teeth, promises that she will always love Amanda and never leave. Early on, Amanda mail-orders a book on architecture, but instead she’s sent a volume on demon possession. As the months progress, she is able to answer yes to nearly all of the questions under the heading “Are You Possessed by a Demon?” She begins seducing rough men, stealing, lying, almost drowns a child while on holiday, and then commits murder. But instead of taking a more conventional route—like turning to the law—Gran smartly puts the focus inward. For Amanda, the loss of herself, in both body and mind, is far worse than the committing of these horrible crimes. She seeks help, but her doctor and psychiatrist seem to be demons themselves and Amanda begins to see demons everywhere. The tale, fast-paced and claustrophobic, raises a frightening question: Amanda could be going insane, but, in the final analysis, what’s the difference?

The Yellow Wallpaper meets Rosemary’s Baby in a slim, wonderfully eerie novel.

Pub Date: Aug. 1, 2003

ISBN: 1-56947-328-5

Page Count: 160

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2003

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KEEPING FAITH

A sweetly affirmative portrait of mother-daughter love that explores big questions while also providing a riveting narrative of a custody battle. Picoult (The Pact, 1998, etc.) sets her tale in a small New Hampshire town during the last months of 1999 and intelligently addresses, without ever becoming strident or hysterical, such charged topics as mental illness and the existence of God. When Mariah comes home early one afternoon with seven-year-old daughter Faith and surprises husband Colin in bed with another woman, her carefully constructed world threatens to fall apart. The last time Colin was unfaithful, Mariah became suicidally depressed and was hospitalized until shortly before Faith’s birth; this time, after a speedy divorce, she tries to adjust to being on her own, but soon her daughter begins behaving oddly. Faith quotes scriptures she’s never been taught, claims she is speaking to God, miraculously resurrects her grandmother Millie (declared dead after a heart attack), and cures a child with AIDS. As the faithful, the ailing, and the curious gather outside Faith and Mariah’s house, stigmata appear on the girl’s wrists and various religious representatives question her credibility. Television personality Ian Fletcher, who makes a living debunking religion, arrives to do a feature. Distressed by the turmoil and media frenzy, Colin, now remarried, blames Mariah and sues for custody. Mariah, though distraught, finds herself attracted to Ian, who has his own secrets, but before true love and justice can be done, Faith nearly dies and Mariah goes to court, where she must defend herself, her past, and her daughter against an array of hostile witnesses and skeptics. Masterfully telling a story more usually found in the tabloids, Picoult offers a perfectly pitched take on the great mysteries of the heart. Her best yet.

Pub Date: May 1, 1999

ISBN: 0-688-16825-6

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1999

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