An overwrought excursion into the swamp of Southern race relations.
The death of a federal judge in 1968 leads the narrator of Wintner’s novel to contemplate and challenge race divisions in the South.
“Segregation is per se inequality,” wrote federal judge J. Waties Waring in a 1951 dissenting opinion in Briggs vs. Elliott—a statement that both helped pave the way for Brown vs. Board of Education and made Waring a much-maligned figure among the white elite in his hometown of Charleston, S.C. Wintner’s novel is an extended act of speculation about the reasons behind Waring’s transformation from segregationist to integrationist, told by a colleague, Arthur Covingdale, who undergoes his own transformation after Waring’s funeral. The story suggests that Waring’s public repudiation of segregation was actually an act of revenge against those who shunned him after his divorce from his first wife, Annie Gammell, a closeted lesbian; “Annie Gammell’s poor performance as a heterosexual wife may have been the original source of integration in the South,” Covingdale observes. Secrets abound—Covingdale, for example, burned a cross in front of Waring’s home—but Wintner (Toucan Whisper, Toucan Sing, 2002, etc.) approaches the plot points messily, drifting into dialect-heavy scenes and slow, wry depictions of Southern life. Eventually, Covingdale begins to fall for Aníse, the black cousin of Jim Cohen, one of Waring’s pallbearers, and their budding romance is meant to reveal the decades of prejudice that afflicted the Old South. But making sense of it requires the reader to navigate overheated, overwritten passages that, for all their finery, don’t make Covingdale and Aníse’s relationship convincing. Indeed, when Wintner descends into purple prose—Aníse’s sexual attentions are allegedly as “thorough as the drubbing Grant gave Lee at Appomattox”—the effect is quite the opposite.
An overwrought excursion into the swamp of Southern race relations.Pub Date: Dec. 1, 2005
ISBN: 1-57962-123-6
Page Count: 268
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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