Well-crafted fiction that offers little-known details about Panama Canal history.
In Carr’s historical novel, a nurse faces danger and unexpected love during the construction of the Panama Canal.
It’s December 1904 when 23-year old nurse Clara Tyler sets out for Panama from rural Cutler, Ohio, because her 26-year-old railroad engineer brother, Samuel, is too sick from malaria and pneumonia to travel home from there on his own. Clara has never left home, except to attend nursing school, but she’s determined to go on the journey despite her fiance Jasper’s disapproval. She already harbors doubts about her forthcoming marriage, and the prospect of moving in with Jasper and his parents “suffocates” her. In Panama, she finds that her brother is so shockingly gaunt that she leads him straight to a hospital, where he soon dies. On impulse, Clara crosses the Isthmus of Panama on a freight train, passing through the jungle to the excavation site where Samuel lived and worked in appalling conditions. There, she discovers that he’d been keeping notes about safety issues. After falling ill herself from yellow fever and recovering, Clara decides to stay, working at the hospital with Army Col. William Gorgas, a doctor who’s an actual historical figure. Overall, Carr delivers a well-researched story of a young woman breaking free from society’s expectations in this novel. Her research also yields appearances by other real-life historical personages over the course of the story, including John Frank Stevens, the chief engineer of the Panama Canal. Although Jasper comes off as something of a one-dimensional character, Clara is a fully realized human being whose relationships in Panama evolve in unexpected ways. Her quest to improve workers’ safety and support Gorgas’ goal of ridding the isthmus of mosquitoes is also portrayed in a believable manner.
Well-crafted fiction that offers little-known details about Panama Canal history.Pub Date: March 6, 2020
ISBN: 978-0-578-59152-0
Page Count: 308
Publisher: Bowker
Review Posted Online: March 6, 2020
Kirkus Reviews Issue: May 1, 2020
Review Program: Kirkus Indie
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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