A potentially gripping tale undermined by its frustrating heroine.
A young lawyer neglects her friends and family as she stubbornly tries to help a sex trafficking victim in Carr’s (The Vernazza Effect, 2013) second novel.
Attorney Tara Collins unexpectedly receives a large sum of money as a gift from her newly married best friend Ella. With it, she decides to create a nonprofit foundation within her San Francisco law firm to help those who can’t afford legal aid. Its board is made up of Assistant District Attorney Brett, who happens to be Tara’s secret boyfriend; social worker Chad; and journalist Jordan (who bizarrely reports on both the law firm and the foundation, in a seemingly textbook case of conflict of interest). For the foundation’s fourth case, she convinces the board members to take on Ashlee, a young teen who was found beaten and left for dead in an alley. Ashlee is too frightened to talk, so Tara begins spending nights with her in the hospital and playing private detective in between visits. Her actions begin to concern Brett and her other colleagues, who insist that she involve the police. Some readers will admire the go-it-alone bravado of the workaholic, emotional Tara. Others, however, may be less impressed by her lack of sense as she jeopardizes her relationships as well as the personal safety of everyone around her. She also undermines her chances of putting away a very bad man due to her dogged insistence on solving the case alone. On the surface, it’s a noble cause, but it may become difficult for readers to applaud her as she continues to take misstep after misstep. (Relief comes, however, when the narrative focuses on Alexander, Ashlee’s high-flying pimp.) The novel’s opening and closing chapters are also lengthy and uninspired. However, patient readers may still find a compelling story about surviving forced prostitution here.
A potentially gripping tale undermined by its frustrating heroine.Pub Date: Aug. 6, 2014
ISBN: 978-0692201022
Page Count: 412
Publisher: CreateSpace
Review Posted Online: Oct. 18, 2014
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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