A tried-and-true strategy, though the fright fades with unrealistic speed in this iteration.

READ REVIEW

WHEN LIONS ROAR

What to do when sudden or loud noises bring “the scary.”

Here, Harris works the same theme as Ed Emberley’s classic Go Away Big Green Monster (1993) but in a less abstract way. She catalogs upsetting sounds—from “When thunder booms! / When sirens blare!” to “When daddies yell! / When mommies holler!”—then suggests a remedy: shutting one’s eyes and ordering “Scary! Go away” until “the quiet is back” and the world again becomes a sunny, peaceful place. The big, short lines of text are printed in various colors; Raschka uses the same palette to depict, with his typically free-looking brushwork, an anxious child of indeterminate sex suspended, with minimal background figures and details, on broad white pages. Except perhaps for a dog’s bark, none of the noises are directly aimed at the child narrator. The level of “scary” is further reduced by showing Mommy hollering at a parking meter (or someone beyond it) and Daddy at something off the edge of the page rather than at each other.

A tried-and-true strategy, though the fright fades with unrealistic speed in this iteration. (Picture book. 3-6)

Pub Date: Oct. 1, 2013

ISBN: 978-0-545-11283-3

Page Count: 32

Publisher: Orchard/Scholastic

Review Posted Online: July 17, 2013

Kirkus Reviews Issue: Aug. 1, 2013

Did you like this book?

No Comments Yet

This celebration of cross-generational bonding is a textual and artistic tour de force.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • New York Times Bestseller

  • IndieBound Bestseller

  • Newbery Medal Winner

  • Caldecott Honor Book

LAST STOP ON MARKET STREET

A young boy yearns for what he doesn’t have, but his nana teaches him to find beauty in what he has and can give, as well as in the city where they live.

CJ doesn’t want to wait in the rain or take the bus or go places after church. But through Nana’s playful imagination and gentle leadership, he begins to see each moment as an opportunity: Trees drink raindrops from straws; the bus breathes fire; and each person has a story to tell. On the bus, Nana inspires an impromptu concert, and CJ’s lifted into a daydream of colors and light, moon and magic. Later, when walking past broken streetlamps on the way to the soup kitchen, CJ notices a rainbow and thinks of his nana’s special gift to see “beautiful where he never even thought to look.” Through de la Peña’s brilliant text, readers can hear, feel and taste the city: its grit and beauty, its quiet moments of connectedness. Robinson’s exceptional artwork works with it to ensure that readers will fully understand CJ’s journey toward appreciation of the vibrant, fascinating fabric of the city. Loosely defined patterns and gestures offer an immediate and raw quality to the Sasek-like illustrations. Painted in a warm palette, this diverse urban neighborhood is imbued with interest and possibility.

This celebration of cross-generational bonding is a textual and artistic tour de force. (Picture book. 3-6)

Pub Date: Jan. 8, 2015

ISBN: 978-0-399-25774-2

Page Count: 32

Publisher: Putnam

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

Did you like this book?

No Comments Yet

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

Did you like this book?

No Comments Yet
more