From the first page to the last, this compassionate, funny, moving, compulsively readable novel about what makes a family...
GET IT
Placing her daughter for adoption left a hole in Grace’s heart; her adoptive parents can’t fill it, and her birth mother’s unreachable—then Grace learns she has siblings.
Maya, 15, a year younger than Grace, was adopted by wealthy parents 13 months before their biological daughter, Lauren, arrived. Joaquin, nearly 18, a survivor of 17 failed foster-care placements and one failed adoption, is troubled when his current foster parents express a wish to adopt him. Grace reaches out, and the siblings soon bond. All—Maya especially, standing out in a family of redheads—are grateful to meet others with dark hair (only Joaquin identifies not as white but Latino) and weird food preferences (French fries with mayo). Still, each keeps secrets. Maya discusses her girlfriend but not her mother’s secret drinking; Joaquin edits out his failed adoption; Grace, her pregnancy and daughter’s birth. It hurts that her siblings have zero interest in tracking down the mom who gave them away, yet Grace persists. Chapters alternate through their third-person perspectives, straightforward structure and syntax delivering accessibility without sacrificing nuance or complexity. Family issues are neither airbrushed nor oversimplified (as the ambiguous title suggests). These are multifaceted characters, shaped by upbringing as well as their genes, in complicated families. Absent birthparents matter, as do bio siblings: when their parents separate, Lauren fears Maya will abandon her for her “real” siblings.
From the first page to the last, this compassionate, funny, moving, compulsively readable novel about what makes a family gets it right. (Fiction. 13-18)Pub Date: Oct. 3, 2017
ISBN: 978-0-06-233062-8
Page Count: 384
Publisher: HarperTeen
Review Posted Online: Aug. 2, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
Did you like this book?
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Engrossing, contemplative, and as heart-wrenching as the title promises.
GET IT
What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
Did you like this book?
Riveting, brutal and beautifully told.
GET IT
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
Did you like this book?
PROFILES
© Copyright 2021 Kirkus Media LLC. All Rights Reserved.
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
