by Robin Cody ‧ RELEASE DATE: March 1, 1995
A middle-age canoeist braves the hazards of boulders, bears, and barges in this narration, which occasionally hits snags, of a 1,200-mile solo voyage on the mighty river. Cody, a novelist (Richochet River, 1992) and public relations writer for the Bonneville Power Administration, is best when describing the adventure of canoeing the river. Possessing modest wilderness skills, he journeys from the river's relatively pristine source at Columbia Lake in British Columbia through a series of wind-plagued reservoirs, encountering the few remaining rapids not drowned by the 14 dams along the river's length, before reaching its immense mouth at Astoria, Oreg., after a voyage of 82 days. Cody's unpretentious prose captures the apprehension he feels in bear country, his feverish paddling for shore when violent winds descend on the river, his delight in surprising a coyote at his campsite or witnessing a family of mountain sheep, and his travails in battling currents, circumventing dams, and communicating with sometimes unfriendly river folk. Yet he does manage to interview a wide variety of people whose livelihood depends on the river: dam operators, sturgeon fishermen, fish hatchery workers, an octogenarian who helped build Grand Coulee Dam, an old woman who still traps furs, tugboat captains, Native American salmon fishermen, and a host of other fairly colorful informants. Cody's account lags when he feels compelled alternately to lament and to justify the changes to the river wrought by European Americans (for a more detailed discussion of this subject, see William Dietrich's Northwest Passage, p.TK); and his thumbnail historical sketches, while interesting, often leave the reader aching to push off once more. Some digressions, though, are worth it, especially his descriptions of the mammoth dams and of their capacious reservoirs. In the end, though, one is impressed not so much by the scale and scope of the river but by the courage and fortitude of an ordinary person. Despite a few slow stretches, good reading for the armchair adventurer and a guarantee of some vicarious thrills. (7 maps, 12 drawings)
Pub Date: March 1, 1995
ISBN: 0-679-41768-0
Page Count: 336
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1995
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by Robin Cody
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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