McKinley’s writing is an acquired taste. While this is not the book to start with, for those who have already fallen under...
Insanely detailed, sometimes confusing, ultimately rewarding; in other words, classic McKinley.
This book is not the eagerly anticipated follow-up to Pegasus (2010). The sooner readers get past that, the sooner they can dive into the stream-of-consciousness, first-person narrative, which rushes along despite the fact that not very much happens for quite a while. Magic versus science: In Maggie’s world, an alternate Earth, civilized countries like the U.S. are Newworld, all science all the time, while everyone else is Oldworld, magic steeped and probably pretty dreeping awful. McKinley shines when she invents new worlds, slang and all, and she is clearly having some fun with her bright but cranky teen heroine. Maggie unexpectedly finds herself, her unusual algebra book, her motley friends and lots of critters (both origami and real) caught in the middle of a massive “cohesion break” that could destroy the world. Newworld Maggie, who sees shadows around her secretly-a-magician Oldworld stepfather, might be in a position to save everyone, which provides some action in the second half, but this is a slow, immersive read despite the high stakes, more concerned with family and friendship than pacing.
McKinley’s writing is an acquired taste. While this is not the book to start with, for those who have already fallen under her spell, it’s bound to appeal . (Fantasy. 12 & up)Pub Date: Sept. 26, 2013
ISBN: 978-0-399-16579-5
Page Count: 368
Publisher: Nancy Paulsen Books
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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