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GET ’EM YOUNG, TREAT ’EM TOUGH, TELL ’EM NOTHING

Sharp, noirish, thought-provoking stories of lives out of joint.

Knotty, artful tales of people ill-prepared for nature having its way with them.

The 10 stories in McLean’s third book—following the novel Pity the Beast (2021)—generally turn on best-laid plans gone sideways. In the title story, a guard at a military base is expecting to evacuate before a coming invasion, but relief isn’t coming. In “But for Herr Hitler,” a young couple heads to Alaska dreaming of wide-open spaces until parenthood, money troubles, and the wilderness make the environment oppressive. In “True Carnivores,” a boy and his aunt head on an extended road trip through the United States and Canada without finding a place to settle physically and emotionally. And in “Cliff Ordeal,” a hiker is clinging to a tree off a cliffside too far from a road for anyone to hear his cries for help. McLean has a knack for making every sidewalk, stream, highway, and tree branch feel like an anxiety-inducing liminal space: The man in “Cliff Ordeal” cycles through increasingly desperate Walter Mitty–style fantasies about his disappearance and rescue, while in "Big Black Man," a White man's simple walk to the convenience store becomes a study in race-infused paranoia. And because McLean trades in feelings of fear and anxiety, she works to make her prose unsettling, occasionally abstracted, or heavily metaphorical—what’s the meaning of a fisherman hooking a cat at the end of his line or the role of a pterodactyl in a dispute between two archaeologists? But usually the eeriness of the prose is additive, not disruptive: In stories featuring couples fraying, like “But Herr Hitler,” “House Full of Feasting,” and the harrowing, closing “Alpha,” she suggests that the shared humanity that’s supposed to connect us can fall apart easily and that collapse is just as likely a fate as progress.

Sharp, noirish, thought-provoking stories of lives out of joint.

Pub Date: Oct. 18, 2022

ISBN: 978-1-91350-553-0

Page Count: 240

Publisher: And Other Stories

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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FLESH

An emotionally acute study of manliness.

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Scenes from the life of a well-off but emotionally damaged man.

Szalay’s sixth novel is a study of István, who as a 15-year-old in Hungary is lured into a sexual relationship with a married neighbor; when he has a confrontation with the woman’s husband, the man falls down the stairs and dies. Add in stints in a juvenile facility and as a soldier in Iraq, and István enters his 20s almost completely stunted emotionally. (Saying much besides “Okay” sometimes seems utterly beyond him.) Fueled by id, libido, and street drugs, he seems destined to be a casualty until, while working as a bouncer at a London strip club, he helps rescue the owner of a security firm who’s been assaulted; soon, he’s hired as the driver for a tycoon and his wife, with whom he begins an affair. István is a fascinating character in a kind of negative sense—he’s intriguing for all the ways he fails to confront his trauma, all the missed opportunities to find deeper connections. To that end, Szalay’s prose is emotionally bare, deliberately clipped and declarative, evoking István’s unwillingness (or incapacity) to look inside himself; he occasionally consults with a therapist, but a relentless passivity keeps him from opening up much. His capacity to fail upwards eventually catches up with him, and the novel becomes a more standard story about betrayal and inheritances, but it also turns on small but meaningful moments of heroism that suggest a deeper character than somebody who, as someone suggests, “exemplif[ies] a primitive form of masculinity.” István’s relentlessly stony approach to existence grates at times—there are a few too many “okay”s in the dialogue—but Szalay’s distanced approach has its payoffs. Being closed off, like István, doesn’t close off the world, and at times has tragic consequences.

An emotionally acute study of manliness.

Pub Date: April 1, 2025

ISBN: 9781982122799

Page Count: 368

Publisher: Scribner

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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EVERYTHING WAS BEAUTIFUL AND NOTHING HURT

An evocative, kaleidoscopic affirmation of life from the perspective of Death.

The personification of death stumbles on companionship in the small British city where he lives, as he continues standing sentinel beside people in their last moments.

Narrator Travis Smith is “inside everything”—ebullient mayflies, skittish deer, and the people around him. He’s privy to how long they’ll live and to every intricacy of their lives, his job to stand witness to people’s dying moments. He’s never challenged this role, even as the ever-present noise sometimes overwhelms him. But Travis finds his isolated, detached life disrupted by Dalia, a midwife, and her two young daughters, who live in the flat across the hall. Through them, he unintentionally becomes a participant in life in a new way. The novel captures the seemingly contradictory idea of beauty in scenes of pain. The violence of a car crash is juxtaposed with the natural world surrounding it, the banality of everyday life continuing even as one life stops. This tension is woven throughout, as readers glimpse Travis’ work as a witness to people’s dying moments. In short passages in which Travis describes a person’s end and salient events in their life, we see a well-etched character for whom death can be relief, terror, or perhaps the ultimate injustice. Author Reeves has a keen eye for the salient detail, making the reader become emotionally invested in characters seen only briefly. As Travis’ narration moves from his work to the quiet yet increasingly meaningful time he spends with his neighbors, it illuminates a microcosm of the cycles of life and death, as glimpsed through the natural world and scenes with community members. Conversations feature crisp dialogue and moments of silence that emphasize how loss and grief can’t always be articulated and comfort can’t always be given. As Travis’ relationships with his neighbors grow, his sense of himself as a person outside his role also evolves, and his job begins to burden him emotionally. Through Travis, we see the beauty of love and small moments of companionship and connection, all the more powerful for the fact of life’s brevity and unpredictable end.

An evocative, kaleidoscopic affirmation of life from the perspective of Death.

Pub Date: July 7, 2026

ISBN: 9781668216361

Page Count: 256

Publisher: Avid Reader Press

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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