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HICKORY, DICKORY, DOCK

Name: HICKORY, DICKORY, DOCK
Author: Robin Muller
ISBN: 0-590-47278-X

by Robin Muller & illustrated by Suzanne Duranceau ‧ RELEASE DATE: Feb. 1, 1994

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Despite a pretitle vignette of a landscape draped in droopy clocks, the surreal nonsense here is more dada than Dali. In verses modeled on the nursery rhyme (``Margery, bargery, bow,/The monkey stubbed his toe./The clock struck three,/He spilled the tea...''), the hours advance to midnight (``Hickory, dickory, date''); meanwhile, in a room crowded with ornate objects (clocks are everywhere, their faces adorning wallpaper and glimmering atop hats), several animals (an elegant cat, a debonair masked mouse, a cow falling out of a picture that falls from the wall) engage in slapstick that's tenuously related to preparing for a celebration. The illustrations are rendered with artistry and precision, and children may enjoy trying to decode the goings on and checking out the synchronized clocks. But nonsense requires its own logic; ultimately, this effort is simply too incoherent to work. There are too many miscellaneous details, the verse isn't especially clever, and the absurdities are neither funny enough nor intriguing enough to be worth puzzling over. (Picture book. 4-8)

Pub Date: Feb. 1, 1994

ISBN: 0-590-47278-X

Page Count: 32

Publisher: Scholastic

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 1994

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THE NIGHTWOOD
by Robin Muller & illustrated by Robin Muller

- BOOK REVIEW
BADGER’S NEW HOUSE
by Robin Muller & illustrated by Robin Muller

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BERRY MAGIC

by Teri Sloat & Betty Huffman & illustrated by Teri Sloat ‧ RELEASE DATE: June 1, 2004

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Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

Categories:

CHILDREN'S GENERAL CHILDREN'S | CHILDREN'S SCIENCE & TECHNOLOGY

- BOOK REVIEW
ZIP! ZOOM! ON A BROOM
by Teri Sloat ; illustrated by Rosalinde Bonnet

- BOOK REVIEW
PABLO IN THE SNOW
by Teri Sloat ; illustrated by Rosalinde Bonnet

- BOOK REVIEW
THERE WAS AN OLD MAN WHO PAINTED THE SKY
by Teri Sloat and illustrated by Stefano Vitale

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HOME

by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015

Visually accomplished but marred by stereotypical cultural depictions.

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Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)