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THE LIFE AND TIMES OF A BLACK PRINCE IN AMERICA

An intriguing, if somewhat uneven, look at an esoteric religious sect.

A writer recounts his childhood in a black Hebrew Israelite sect in this memoir.

Rabii (The Poems of Robin R. Rabii, 2016) was born in 1958 to African-American parents who had recently joined a new religious sect called the Helion Temple of Ancient Divine Wisdom—Order of Melchisedec. The physical temple at the center of this close-knit religious community was the center of his life: “I spent more hours in the Temple than in my own home.…My world was the Temple and there were very few activities in my young life that were separate from it.”  As the author explains, the centrality of this faith in the life of his family had lasting consequences on his development: some positive, but many quite negative. As Rabii writes, the eclectic beliefs of the Order, which mixed Afrocentrism and elements of Judaism with more occult and New-Age teachings, informed his spiritual development. But the immense power of its founder—who was known as Mother or the Queen—and the cultic zealotry of her followers led to emotional and physical abuse, particularly against the children of the Order. According to the author, beatings, forced fasting, and threats of damnation were common means of control used by the Queen and her enforcers. So great was this abuse that Rabii eventually left the religion, though he details it now in order to shed light on this curious sect that remains active even to this day. Rabii’s prose is generally amicable, even when discussing the darker aspects of the Order’s behavior: “The next question you must be scratching your head about is why adults would allow themselves to be abused by others? And perhaps more importantly, why would parents accept the abuse of their children?” The book, which includes historical photographs, does not have the narrative structure or propulsive pace of the typical survivor memoir. At nearly 500 pages, including appendices, it’s a bit bloated (and this is only Book 1). But as a repository of information about this obscure religion, the work is invaluable. Readers interested in fringe religious movements and the ways cults take advantage of their members should find the Order to be a particularly absorbing case.

An intriguing, if somewhat uneven, look at an esoteric religious sect.

Pub Date: March 28, 2018

ISBN: 978-1-984297-90-7

Page Count: 488

Publisher: CreateSpace

Review Posted Online: July 31, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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