This queer novel stands out thanks to the 1970s San Francisco setting and punk vibe.
As the national gay rights battle heats up in the summer of 1977, two high school girls from disparate California communities are paired in a pen pal assignment.
Tammy Larson is from a conservative Christian community in Orange County. She is forced by her family to participate in activities in support of Anita Bryant’s anti-gay rights crusade in Florida. Tammy knows she is gay and fears the wrath of her Aunt Mandy, a church leader. Sharon Hawkins lives with her mother and brother in San Francisco. She is keeping her brother’s gay identity a secret while also trying to figure out her feelings for her boyfriend—and for girls. The book’s structure includes Tammy’s and Sharon’s letters interspersed with Sharon’s diary entries and Tammy’s unmailed letters to her idol, gay rights leader Harvey Milk. The girls’ growing trust in each other makes Sharon’s home the logical place for Tammy to flee following a crisis at home. The author expertly brings to life the pre-AIDS world of San Francisco’s gay neighborhoods, the vitality of the nascent gay rights movement (including welcome details about the often overlooked lesbian community), and the punk rock scene. The book’s strengths include good pacing, a respectful acknowledgment of bisexuality, and satisfying personal and political denouements. Both girls are white; there is ethnic diversity in secondary characters.
This queer novel stands out thanks to the 1970s San Francisco setting and punk vibe. (Historical fiction. 13-18)Pub Date: March 31, 2020
ISBN: 978-1-335-14677-9
Page Count: 384
Publisher: Inkyard Press
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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