A smart, subtle overlay of different systems of thought that together teach us to be better citizens of Earth.
Wisdom about the natural world delivered by an able writer who is both Indigenous and an academic scientist.
“This braid is woven from three strands,” writes Kimmerer, an enrolled member of the Citizen Potawatomi Nation: “indigenous ways of knowing, scientific knowledge, and the story of an Anishinabekwe scientist trying to bring them together in service to what matters most.” The author’s 2013 book of essays on Native folkways concerning plants and their roles in human life is reissued here with new illustrations and design, a handsome production that well serves her engaging text, which will be of interest to readers schooled in the work of writers such as Wendell Berry, Leslie Marmon Silko, and Joy Harjo. In Anishinaabe belief, writes Kimmerer, sweetgrass “was the very first to grow on the earth,” a constant reminder of the creator called Skywoman. It holds a sacred role, and it represents an important component of what the author describes as “global ecosystems,” which speak to the possibility of positive interactions between humans and the natural environment, a welcome optimism given all the counterexamples one might produce of our destructive influences. Rethinking that possibility requires going to first principles. As Kimmerer writes, the English word bay is a noun, trapping a natural thing into a static category best reserved for dead things, whereas the Ojibwe word wiikwegamaa, turning the concept into a verb meaning “to be a bay,” “releases the water from bondage and lets it live.” Indigenous knowledge instructs those who seek healthy relations with their surroundings in many ways. Kimmerer writes of a teacher who directs us to walk in such a way “that each step is a greeting to Mother Earth” while the dread monster called the Windigo speaks metaphorically to our need to consume: “The more a Windigo eats, the more ravenous it becomes.”
A smart, subtle overlay of different systems of thought that together teach us to be better citizens of Earth.Pub Date: Oct. 13, 2020
ISBN: 978-1-57131-177-1
Page Count: 456
Publisher: Milkweed
Review Posted Online: July 15, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
BOOK REVIEW
A fascinating magic trick of a memoir that illuminates a woman's search for meaning.
A Cowlitz woman’s collection of interconnected essays on memory, nostalgia, and introspection, conveyed through personal history, popular culture, and magic.
Washuta begins with an account of her history with magic and witchcraft growing up. "The truth is I'm not a witch, exactly: I'm a person with prayers, a person who believes in spirits and plays with fire,” she writes. The author’s story is also one of personal healing, as she writes candidly about her abuse of alcohol, being misdiagnosed as bipolar, and suffering from PTSD. Across 10 interwoven essays that move through Washuta’s life, she uses popular-culture references—e.g., Fleetwood Mac, Twin Peaks, and the video game “Oregon Trail II”—as guideposts in her own journey of understanding the world and her place in it. Washuta shifts her focus frequently (perhaps too much for some readers), from the history of the Seattle area to an in-depth discussion of horror movies to her search for an anti-drinking educational video she though she saw as a teen. At the same time, she investigates the connections among magic, witchcraft, and her Native heritage. The book breaks from traditional memoir in intriguing ways, including footnotes that speak directly to readers and an essay that begins by focusing on Twin Peaks and then slowly begins to emulate it, moving back and forth through time and showing the changing nature of narrative across shifting time frames. Throughout, Washuta is consistently honest about her own past and opinions, and she is unafraid to directly question readers, demanding engagement with the text. “This book is a narrative,” she writes. “It has an arc. But the tension is not in what happened when I lived it; it’s in what happened when I wrote it. Like I already told you, this is not just a recounted story; I am trying to make something happen and record the process and results.”
A fascinating magic trick of a memoir that illuminates a woman's search for meaning.Pub Date: April 27, 2021
ISBN: 978-1-951142-39-1
Page Count: 432
Publisher: Tin House
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
A pleasant, amusing look at mathematics as a description of everything.
A math prodigy examines how mathematicians view the world.
Math enthusiasts have a spotty record explaining their favorite subject to a popular audience, even when they exert themselves to hold attention with calculating tricks, paradoxes, or illusions. Beckman, who entered Harvard at age 15, eschews them all, maintaining that everything—“plants, love, music, everything”—can be understood in terms of math and proceeds to explain how mathematicians try. They love to overthink things. “We take some concept everyone understands on a basic level, like symmetry or equality, and pick it apart, trying to find a deeper meaning in it.” His first example is a simple concept: shape. By the mathematical definition, a square and a circle have the same shape, but a figure 8 is different. It turns out that thinking about shapes is a major field of study called topology. Beckman admits that this has no practical significance, but it’s odd and interesting, and most readers will agree. There seems little to say about infinity, but this turns out to be wrong and pleasantly bizarre. If you remove any number of marbles from a bag containing infinite marbles, what’s left is still infinite. Adding one or 1 trillion—still exactly infinite. Infinity times infinity…the same. Is any quantity more than infinity? Yes; it’s called the continuum, and Beckman offers a fairly clear explanation. Ultimately, the author argues that math is not about numbers or equations but models. A model breaks down phenomena into specific rules that, when applied, explain it. A few simple rules produce a quasi-game remarkably similar to Darwinian natural selection. Beckman concludes with a model of an empty space containing 17 particles that follow well-defined if absurd rules, but the end result is the “standard model,” physicists’ best interpretation of how the universe operates.
A pleasant, amusing look at mathematics as a description of everything.Pub Date: Oct. 27, 2020
ISBN: 978-1-5247-4554-7
Page Count: 224
Publisher: Dutton
Review Posted Online: June 12, 2020
Kirkus Reviews Issue: July 15, 2020
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