Clever but shallow.

READ REVIEW

LITTLE BRO, BIG SIS

Experience both sides of sibling rivalry in this “flip-me-over” Spanish import.

“I don’t like my brother,” exclaims the titular sis, pointing at her bro (depicted as a monkey). He’s needy, annoying, and noisy. But sometimes she misses him. Maybe it’s not so bad having a sibling—or so she thinks until she hears the wails of her family’s new baby. The story ends there, at its center. Readers can flip the book over and then read it again from the brother’s perspective. Cue the déjà vu: “I don’t like my sister” exclaims bro (now a human), pointing at his sis (now a rhino). Brother has his own laundry list of complaints about his sister—and, of course, a few positive thoughts, too. And, well, readers will know how the rest of the story goes. The dual-perspective storytelling is an interesting conceit, particularly in the way it plays with the first-person–limited narration and animal-as-metaphor device. Repeated phrases and mirrored image placement create strong visual parallels between the two sides of the story. Bonilla’s mixed-media illustrations emphasize expressive characters and cartoon sequences. Though bro is seen playing with dolls and wearing a dress, both siblings are rather stereotypical (and pretty one-note in their negativism). The siblings present white, but there is some racial diversity in the supporting cast.

Clever but shallow. (Picture book. 4-7)

Pub Date: Sept. 3, 2019

ISBN: 978-1-62354-109-5

Page Count: 56

Publisher: Charlesbridge

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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Readers will agree: All differences should be hugged, er, embraced.

BIRD HUGS

Watch out, Hug Machine (Scott Campbell, 2014), there’s another long-limbed lover of squeezes in the mix.

Bernard, a tiny, lavender bird, dejectedly sits atop a high branch. His wings droop all the way to the ground. Heaving a sigh, his disappointment is palpable. With insufferably long wings, he has never been able to fly. All of his friends easily took to the skies, leaving him behind. There is nothing left to do but sit in his tree and feel sorry for himself. Adamson amusingly shows readers the passage of time with a sequence of vignettes of Bernard sitting in the rain, the dark, and amid a cloud of paper wasps—never moving from his branch. Then one day he hears a sob and finds a tearful orangutan. Without even thinking, Bernard wraps his long wings around the great ape. The orangutan is comforted! Bernard has finally found the best use of his wings. In gentle watercolor and pencil sketches, Adamson slips in many moments of humor. Animals come from all over to tell Bernard their troubles (a lion muses that it is “lonely at the top of the food chain” while a bat worries about missing out on fun during the day). Three vertical spreads that necessitate a 90-degree rotation add to the fun.

Readers will agree: All differences should be hugged, er, embraced. (Picture book. 4-7)

Pub Date: Jan. 1, 2020

ISBN: 978-1-5420-9271-5

Page Count: 40

Publisher: Two Lions

Review Posted Online: Sept. 29, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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Aims high but falls flat.

WILD SYMPHONY

Through 20 short poems, Maestro Mouse invites readers to meet a series of animals who have lessons to impart and a symphony to perform.

Brown, author of The DaVinci Code (2003) and other wildly popular titles for adults, here offers young listeners a poetry collection accompanied by music: a “symphony” performed, for readers equipped with an audio device and an internet connection, by the Zagreb Festival Orchestra. From the introduction of the conductor and the opening “Woodbird Welcome” to the closing “Cricket Lullaby,” the writer/composer uses poems made of three to eight rhyming couplets, each line with four strong beats, to introduce the animals who will be revealed in the final double gatefold as the players in an all-animal orchestra. Each poem also contains a lesson, reinforced by a short message (often on a banner or signpost). Thus, “When life trips them up a bit, / Cats just make the best of it” concludes the poem “Clumsy Kittens,” which is encapsulated by “Falling down is part of life. The best thing to do is get back on your feet!” The individual songs and poems may appeal to the intended audience, but collectively they don’t have enough variety to be read aloud straight through. Nor does the gathering of the orchestra provide a narrative arc. Batori’s cartoon illustrations are whimsically engaging, however. They include puzzles: hard-to-find letters that are said to form anagrams of instrument names and a bee who turns up somewhere in every scene.

Aims high but falls flat. (Complete composition not available for review.) (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-593-12384-3

Page Count: 44

Publisher: Rodale Kids

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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