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FREE SPEECH IN AN OPEN SOCIETY

A superb exposition of the significance of free speech and an analysis of how to preserve it in our increasingly complex society. Smolla (Law/Marshall-Wythe School of Law at William and Mary College) makes a case for an open culture—one in which free-speech values pervade and permit a robust and open exchange of ideas. Seeing the achievement of such a culture as ``an aspiration of transcendent importance,'' he envisions a society in which free speech is seen both as a means of testing and choosing the best ideas—the ``marketplace'' rationale for free speech—and as an end in itself. Smolla demonstrates, however, that, in practice, society attempts to establish limits on speech that often lead to significant diminution of speech. He analyzes the possible harms of speech—to persons and property; to social, transactional, and business relationships; to individuals and to communal sensibilities—and creates a theoretical hierarchy of harms that, in his view, can create a theoretical basis for regulating speech (how his theory can be reconciled with the absolutist language of the First Amendment is not clear). After discussing this theoretical groundwork, Smolla examines the application of free- speech principles in practical situations, which he divides broadly into political speech (such as hate speech, obscenity, individual privacy, and public funding of the arts) and issues raised by newsgathering (such as censorship in the Persian Gulf War, the attempt to restrain release of tapes in the Noriega case, and the challenges posed by new technologies). Avoiding easy answers, the author demonstrates an acute sensitivity to the importance of preserving free speech while recognizing the practical problems faced by policy-makers. Smolla takes a scholarly—yet accessible—approach to his subject and displays a sure knowledge of recent First Amendment jurisprudence. An excellent and important work.

Pub Date: April 2, 1992

ISBN: 0-679-40727-8

Page Count: 464

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1992

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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