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THE NUMBER ON MY FATHER'S ARM / EL NÚMERO EN EL BRAZO DE PAPA

A fascinating subject sadly mishandled.

Mexican American 17-year-old Tomás is used to his father’s nightmares about World War II, but that doesn’t mean he understands them.

Papi rarely talks about it, and Tomás suspects the number tattooed on his arm is not just his “lucky number”—it’s just like those of concentration-camp survivors in the slides Mrs. Franklin shows at school. Tomás’ secret search for the truth takes him through his father’s war mementos, which leads him to a buried box in the family’s garden. Later, Tomás and his mother connive to mind-trick Papi into admitting that he was a POW in a Nazi concentration camp and agreeing to speak to Tomás’ class about his experiences. Still, it’s a long while before he reveals the real reason for the tattoo. Alvarado bases his story on the experiences of the first Mexican American to register as a survivor of a Nazi concentration camp, but the text fails as a novel. Tomás’ voice sounds like a reflective adult’s rather than a teen’s; the plot is contrived; and the psychological trickery is unsettling to witness. California, the earliest adopter of Holocaust education and the setting of this novel, didn’t start putting it into schools until 20 years after the story takes place, and, troublingly, the tone taken by both teacher and narrator is removed, describing Jews and the Shoah as if they were subjects of a nature documentary. An afterword that separates fact from fiction reveals that significant liberties were taken. Baeza Ventura’s Spanish translation is bound back to back with the English text.

A fascinating subject sadly mishandled. (Historical fiction. 8-12)

Pub Date: Oct. 31, 2020

ISBN: 978-1-55885-901-2

Page Count: 168

Publisher: Piñata Books/Arte Público

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE BAD BEGINNING

The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)

Pub Date: Sept. 30, 1999

ISBN: 0-06-440766-7

Page Count: 162

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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BOOKED

A satisfying, winning read.

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  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller

Nick Hall is a bright eighth-grader who would rather do anything other than pay attention in class.

Instead he daydreams about soccer, a girl he likes, and an upcoming soccer tournament. His linguistics-professor father carefully watches his educational progress, requiring extra reading and word study, much to Nick’s chagrin and protest. Fortunately, his best friend, Coby, shares his passion for soccer—and, sadly, the unwanted attention of twin bullies in their school. Nick senses something is going on with his parents, but their announcement that they are separating is an unexpected blow: “it’s like a bombshell / drops / right in the center / of your heart / and it splatters / all across your life.” The stress leads to counseling, and his life is further complicated by injury and emergency surgery. His soccer dream derailed, Nick turns to the books he has avoided and finds more than he expected. Alexander’s highly anticipated follow-up to Newbery-winning The Crossover is a reflective narrative, with little of the first book’s explosive energy. What the mostly free-verse novel does have is a likable protagonist, great wordplay, solid teen and adult secondary characters, and a clear picture of the challenges young people face when self-identity clashes with parental expectations. The soccer scenes are vivid and will make readers wish for more, but the depiction of Nick as he unlocks his inner reader is smooth and believable.

A satisfying, winning read. (Fiction. 10-12)

Pub Date: April 5, 2016

ISBN: 978-0-544-57098-6

Page Count: 320

Publisher: HMH Books

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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