An elegant, meditative story about storytelling—for lives are, Fresán writes, “really, books of stories.”
A brilliant evocation, by Argentinian novelist Fresán, of the star-crossed family history of a canonical American writer.
“Call me Herman.” Such a commandment could come from only one writer, Herman Melville, who stands at the center of Fresán’s narrative. Occupying much of that space, too, albeit in sometimes spectral form, is Melville’s father, Allan Melvill (the -e a typo that his son, the victim of a bureaucrat’s pen, stuck with, even as, later in the novel, he notes ruefully that his obituary in Harper’s Monthly Magazine, where several of his stories appeared, will render his name as Henry). Allan, born to a Scottish family famed for “swords and shields and maces brandished in the name of savage monarchs whose castles were just giant stones,” is frequently revisited at a climacteric moment, when, desperately poor, he walks across an iced-over Hudson River to return to his starving family. It’s an image that haunts the grown-up Herman, who, Fresán conjectures, cast his father as a confidence man on a paddle wheeler, a lowly sailor on a whaling ship, an indifferent clerk who refuses to do his job. “It turns out to be almost as exhausting and distressing to trace his downward spiral as, I suppose, it was for my father to know himself pursued and persecuted,” Herman sighs. Fresán imagines Melville’s life as a quiet repudiation of his father’s, who was so proud that he refused to allow his wife, Herman’s mother, to borrow money from her aristocratic family. In the end, though, Allan accompanies his son’s every waking moment and haunts his dreams: “The ice is the unknown,” Herman, that great explorer of mysterious places and mores, says. Fresán’s fictional evocation of Melville’s youth is as convincingly realized as Frederick Busch’s The Night Inspector (2000), which neatly bookends it.
An elegant, meditative story about storytelling—for lives are, Fresán writes, “really, books of stories.”Pub Date: Oct. 8, 2024
ISBN: 9781960385161
Page Count: 360
Publisher: Open Letter
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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