by Rodrigo Rey Rosa ; translated by Eduardo Aparicio ‧ RELEASE DATE: June 18, 2019
Of a piece with the author’s Dust on Her Tongue (1992) as an exploration of political violence and its troubling...
Somber, allusive story of his native country’s troubled past by Guatemalan exile Rey Rosa (Chaos: A Fable, 2019, etc.).
The human matter of the title is not just corporeal, although the events Rey Rosa recounts in this slender novel have yielded mounds of corpses. It also includes the faint traces of those who were “disappeared” at the hands of the National Police, a body theoretically disbanded after peace accords were signed between the government and its guerrilla discontents in 1996. Among the names and facts that fill the narrator’s notebooks are a man arrested in 1941, well before such events began, for “recidivist loitering,” another for “shining boots without a license.” The police were there, always, to remove such miscreants from the streets, to say nothing of errant typists, drill operators, sawyers, and others who crossed the line. As he digs, the narrator asks questions of people who were affected by the repression of the regime and the guerrilla war alike; of one professor who narrowly escaped torture for his “subversive activities,” the narrator asks how it could be that the mostly illiterate Mayan peasants of the countryside could be assumed “to share the Marxist ideology of the revolutionary leaders,” a question that the professor finds “extremely unfriendly.” The archives themselves are unfriendly to researchers, as the narrator finds when volumes are brought to him with pages torn out, as if to hide the worst of the worst happenings from history. Secrecy lies at the heart of the story, manifesting itself in many ways, as when the narrator is asked to write about newly published diaries of the Argentinian writer Bioy Casares that Bioy himself never intended for publication. Rey Rosa is suggestive rather than explicit, his narrator slowly despairing of ever finding the truth: When asked who his story is intended for, he finally replies, “maybe it’s just for me."
Of a piece with the author’s Dust on Her Tongue (1992) as an exploration of political violence and its troubling reverberations.Pub Date: June 18, 2019
ISBN: 978-1-4773-1646-7
Page Count: 182
Publisher: Univ. of Texas
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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by Rodrigo Rey Rosa ; translated by Stephen Henighan
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by Rodrigo Rey Rosa ; translated by Jeffrey Gray
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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