An engaging and subtle tale that unites far-flung worlds in the person of a complex, intriguing heroine.
In an engrossing picaresque novel from King (Sea Level, 1992), a young woman’s adventures and loves unfold across a dozen years and three continents.
Born in Zanzibar, Marcella D’Souza is not really an African. Her father was a Catholic from Goa (the Portuguese colony on the west coast of India), and her mother was her father’s Arab mistress, killed not long after Marcella’s birth in an anti-Arab riot. Raised by her father and his wife (whom she believed to be her mother), Marcella can be best described as “a Goan Indian Portuguese Arab African of Catholic Moslem parentage,” a good résumé for someone who ends up in the Multicultural Studies Department of tiny Moore College in Vermont. Marcella’s story of how she landed in Vermont proceeds mostly backward. We learn that she received most of her education in England, through an Open University program that enrolled her while she was in prison. She’d gone to London via Reading, where she lived briefly with an Englishman who had been her lover in Zanzibar. In Zanzibar, she had been a small-business woman, operating two cabs, an ice-cream truck, and a bar. Reading was a bit too much of a change from Zanzibar, but London suited her just fine: She made friends within the city’s large immigrant community and took advantage of the privatization schemes of the Thatcher years to purchase former council flats with the help of her lover Benji, a somewhat shady investor. How did she end up in prison? Let’s just say that she was stretching the truth when she assured the dean of Moore College that it involved an antiracism demonstration. As one of her friends points out: the only religion shared by everyone in polyglot and multiethnic Zanzibar is conspiracy.
An engaging and subtle tale that unites far-flung worlds in the person of a complex, intriguing heroine.Pub Date: Nov. 4, 2002
ISBN: 1-885586-60-4
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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