Parts of this will resonate deeply with certain readers, while others may wonder about the point of it all.
A memoir that proceeds by stealth and cunning, rewarding patient readers with some fine writing and provocative insights, though the short vignettes generate little narrative momentum.
A little past the 100-page mark, Rosenblatt (English and Writing/Stony Brook Univ.; Making Toast: A Family Story, 2010, etc.) asks, “Are we getting anywhere? Luckily we’re not going anywhere, so there’s nowhere to get.” And so it seems within this elliptical and evocative mixture of memory and dream. “[A]nyone can write a memoir about the events of a life,” writes the author near the end. “To do something originally yours, you must write about the dreams of your life, which are best disclosed in things you already know.” Despite the subtitle, the text more often is autumnal in tone, written by the septuagenarian author and writing professor to whom the “boy detective” is father (in the Wordsworth-ian sense). Though the present and the past of his native Gramercy Park blur and blend, it really isn’t one of those New York memoirs; only in certain sections does it offer what the author terms “the poem of the city.” The narrative hopscotches back and forth across decades and neighborhoods, daring readers (often addressed directly, sometimes as students, more often as pals) to solve the mystery or determine what the mystery might be. While belaboring the connection between the detective’s mission and the writer’s, he shows a safecracker’s precision in his reflections on death, truth and how the writer deals with both. Yet he resists letting readers pin him down. “Yours is the clarity, the shape and the theme,” he writes. “Mine is the shambles. And if I say that I am lost in admiration of you, while that is true, it is truer that I am lost, period, lost in everything. Nonetheless, I proceed even without a course or destination.”
Parts of this will resonate deeply with certain readers, while others may wonder about the point of it all.Pub Date: Nov. 5, 2013
ISBN: 978-0-06-224133-7
Page Count: 272
Publisher: Ecco/HarperCollins
Review Posted Online: Sept. 9, 2013
Kirkus Reviews Issue: Oct. 1, 2013
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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