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THE STORY I AM

MAD ABOUT THE WRITING LIFE

A warmhearted testimony of gratitude and humility.

A prolific writer reflects on his commitment to his craft.

Essayist, novelist, playwright, and English professor Rosenblatt gathers a sampling from his 40-year writing career that reveals the “exhilaration and exasperation” of the work that has long engaged him: “I write simply because I am enthralled with the writer’s life, mad for it, and with the act of writing.” Among the pieces are excerpts—some as short as a paragraph—from longer works, such as his memoirs Kayak Morning (“Writing makes sorrow endurable, evil intelligible, justice desirable, and love possible”), The Boy Detective, Making Toast, and the unpublished Unaccompanied Minor; his mock instruction book Rules for Aging (nobody is “denigrating your work behind your back,” he promises); essays from previous collections, such as Anything Can Happen; pieces that appeared in newspapers and literary journals; and selections from published and unpublished novels and plays. One essay specifically on craft comes from his writing companion Unless It Moves the Human Heart, but not all pieces concern writing directly. Rosenblatt discloses, for example, his mother’s suffering from Alzheimer’s disease; praises a teacher from whom he learned to “look at the world with wonder and pleasure”; and describes an image, recalled from childhood, of seeing a young woman weeping on stone steps in Columbus Circle. Even though he knows that using a word processor would make life easier for his publishers, he prefers to compose on a yellow legal notepad and transcribe his work on an electric typewriter. “Editors never question why they must put my materials into the system for me,” he writes. “They have simply found it expedient to adapt to my strangeness, mainly because I have never indicated that I would adapt to them.” Appreciative of sound and cadence, Rosenblatt has always been nourished by poets. Sometimes nostalgic, even sad, he regrets that although he has not “eradicated world poverty” or “put an end to injustice, or even to casual cruelty,” he has given the world a singular bequest: love.

A warmhearted testimony of gratitude and humility.

Pub Date: April 7, 2020

ISBN: 978-1-885983-78-7

Page Count: 262

Publisher: Turtle Point

Review Posted Online: Jan. 15, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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