In this essential application of structural linguistics to the problems of literary criticism, Roland Barthes—a disciple of Saussure and one of the cardinal spokesmen of semiology—opposes both the goals and methods of classic rhetoric. He takes issue with what be sees as an excessive categorical structuring that divorces form from meaning as it approaches an overrefined univocal explication. Using Balzac's novella Sarrassine as the paradigmatic discourse, he proposes instead to "sketch the stereographic space of writing," other times described as "an iridescent exchange" or a "glistening texture of ephemeral voices." A step-by-step commentary on arbitrarily chosen lexias or short texts—a phrase, a few sentences, or as much as a paragraph rather than the traditional large masses of text—develops the metaphorical construct of the discourse itself as "the only positive hero of the story." AH textual signifiers are grouped under five major codes—Seme, Symbol, Hermeneutic enigma, proairetic Action, and cultural Reference—which interweave and intersect to produce a connotative universe. Barthes' theory of the "readerly" or self-creating, polyphonic text develops in mediations between the analyses of lexical fragments. Both the coded reading and the commentaries are as heavy as the Balzacian source itself. Barthes has brought new life to a foundering literary aesthetics with this synthesis of science and imaginative humanism, for those familiar with the terminology.
Pub Date: Sept. 9, 1974
ISBN: 0374521670
Page Count: 292
Publisher: Hill & Wang
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Sept. 1, 1974
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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