Next book

BREAKFAST WITH BUDDHA

Spiritual fiction is a byway little traveled by mainstream authors, but Merullo has grown so persuasive over the course of...

Merullo again takes on religion, but this time he makes it a lot more accessible than in Golfing with God (2005, etc.).

Eschewing the previous novel’s flat-out fantasy (setting: heaven; narrator: dead), the author here provides a realistic framework that plays to his strengths as an astute observer of society and sympathetic analyst of individual psyches. Otto Ringling, a senior editor at a New York publishing house, likes his job, loves his wife and two teenage children and takes pride in the comfortable life he’s built. But he’s been shaken by the recent death of his parents in a car crash: “All these joys and miseries, all this busyness, all this stuff…I started to ask myself, leads exactly where?” He’s not looking forward to a long drive to North Dakota with his sister Cecelia to sort through their parents’ possessions. And he’s infuriated when Cecelia informs him she’s not going after all, but sending instead her “guru,” Volya Rinpoche, to whom she intends to donate the family farmhouse and her share of the land for a retreat in North Dakota. Otto’s not happy to be traveling with a man in a maroon robe who seems almost a buffoon, with his broken English and tendency to talk in riddles. Slowly, as Merullo sends this odd couple down rural back roads through beautifully described landscapes, we see Otto’s defenses dropping as Volya’s quiet wisdom becomes apparent. The lessons imparted are neither new nor startling (live fully in the moment, etc.), but the author eloquently conveys their simple power to ease Otto’s mind and heart. Volya makes no claim to be “the incarnation of the Buddha” others have called him, but this low-key novel movingly shows him to be a tender lover of humanity.

Spiritual fiction is a byway little traveled by mainstream authors, but Merullo has grown so persuasive over the course of two luminous little novels that readers might well follow him even if he turned next to, say, Mornings with Mohammed.

Pub Date: Oct. 2, 2007

ISBN: 978-1-56512-522-0

Page Count: 320

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview