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by Roman Mars & Kurt Kohlstedt ‧ RELEASE DATE: Oct. 6, 2020
The ideal companion for city buffs, who’ll come away seeing the streets in an entirely different light.
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New York Times Bestseller
IndieBound Bestseller
A user-friendly guide to all the overlooked things that make urban civilization tick.
If you’re an infrastructure nerd, a reader of David Macauley, Kate Ascher, or Brian Hayes, then you know that under the sidewalks of your town or city lies an endlessly complex world of pipes, cables, wires, and tunnels. If you want to understand the language spoken in that world, then this book is for you. Building from their popular podcast of the same name, Mars and Kohlstedt explore the occult grammar of the city, much of it hiding in plain sight. What are those boxes at eye level that you see on so many buildings? Well, “firefighters essentially have a skeleton key that opens all of the boxes in their area.” Within a “Knox box” is in turn a copy of the master key for any given building. How is it that one can breathe inside New York City’s Holland Tunnel, which burrows under the Hudson River? The authors explain the process and note that when it was built, using air shafts and aboveground ventilation towers, the air quality in the tunnel was better than that out on the street, adding, “to be fair, that is setting quite a low bar.” Numerous other urban elements are grist for the authors’ amiably churning mill: Those metal stars on the fronts of old brick buildings are the ends of truss rods that prevent the walls from sagging; things are named as they are via complex bureaucratic interactions; the pedestrian-friendly city that allows e-scooters becomes less pedestrian-friendly. Mars and Kohlstedt operate without an agenda other than to share their enthusiasm for urban design (“You can learn so much from reading sidewalk markings—especially when they’re spelled right”), and there’s a pleasant and useful lesson on every page.
The ideal companion for city buffs, who’ll come away seeing the streets in an entirely different light.Pub Date: Oct. 6, 2020
ISBN: 978-0-358-12660-7
Page Count: 384
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 15, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by Walter Isaacson ‧ RELEASE DATE: Nov. 18, 2025
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
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New York Times Bestseller
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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by Walter Isaacson with adapted by Sarah Durand
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SEEN & HEARD
by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee
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by Brandon Stanton photographed by Brandon Stanton
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