Next book

THE MATCH

The latest from Gunesekera (Heaven’s Edge, 2003, etc.) is a gentle story of awakening and regeneration.

While the title refers to a cricket match, the book’s real action is played out against a volatile background of political revolution in Sri Lanka.

Sunny is a young man growing up in Manila, though his father, a journalist, is originally from Sri Lanka. As a boy, Sunny is enamored of two things: cricket and Tina, and both obsessions converge in a match in which Tina, a natural at the sport, helps Sunny’s team eke out a victory. Almost immediately after the flush of this achievement, however, Sunny’s world starts to fall apart when he discovers that his mother’s “accidental” death was actually a suicide—and he blames his father for her self-destruction. His life takes another unexpected turn when he travels to London to study engineering, a field he has almost no interest in. For a time, what does absorb him is the swinging capital itself, though he discovers that his friend Lydia, who is studying meteorology there, spends her time measuring old rocks, not partying. “So much for hedonism,” he concludes. Sunny’s life continues to unfold in unpredictable ways, especially after he meets and marries radiant Clara. Abandoning engineering, Sunny opens a photography studio with tepid results. He and Clara have a son, Mikey, who grows up much more interested in rock music than in cricket or in his parents’ heritage. Eventually Sunny’s domestic world begins to fragment, and he decides to visit Sri Lanka. The final cricket match Sunny witnesses becomes an epiphany, for he is graced with a circumscribed but nevertheless momentous realization that “things could be renewed,” and that he can use words to “bring peace to his own mind if not to the world.”

The latest from Gunesekera (Heaven’s Edge, 2003, etc.) is a gentle story of awakening and regeneration.

Pub Date: Jan. 1, 2008

ISBN: 978-1-59558-198-3

Page Count: 320

Publisher: The New Press

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2007

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

Categories:
Close Quickview