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DEADVILLE

A tender, thought-provoking story takes a teen from the depths of despair to happiness. Sixteen-year-old Ryan Glazier’s heart broke when his little sister died of cancer two years ago. While his friends have gotten on with their lives, Ryan has plugged himself into his iPod and wrapped himself in a pot-induced fog. He’s living in Deadville, a “not-here-but-not-there zone.” Then the gorgeous and sexy Charlotte Silano, a classmate, has an accident that lands her in the hospital in a coma. Though he hardly knows her, Ryan visits her daily just to talk. Slowly, Ryan comes to terms with his grief and, with help from Betty, the girl he begins dating, Ryan triumphantly re-emerges into the land of the living. Koertge’s talent lies in his ability to create believable situations, well-developed characters and quick, witty dialogue. Ryan punctuates his funny, first-person narration with literary allusions and so many musical references readers may wish for a playlist. Fans will not be disappointed. (Fiction. 14 & up)

Pub Date: Oct. 1, 2008

ISBN: 978-0-7636-3580-0

Page Count: 224

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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THE ONLY GIRL IN TOWN

A high-concept premise that falls short in its execution.

A teenage girl finds herself alone after everyone else in her town mysteriously disappears, leaving her scrambling to figure out how to find them all.

One late summer day, everybody in July Fielding’s town disappears. She is left to piece together what happened, following a series of cryptic signs she finds around town urging her to “GET THEM BACK.” The narrative moves back and forth between July’s present and the events of the summer before, when her relationship with her best friend, cross-country team co-captain Sydney, starts to fracture due to a combination of jealousy over July’s new relationship with a cute boy called Sam and sweet up-and-coming freshman Ella’s threatening to overtake Syd’s status as star of the track team. The team members participate in a ritual in which they jump off a cliff into the rocky waters below at the end of their Friday practice runs. Though Ella is reluctant, Syd pressures her to jump. Short, frenetically paced sections move the story along quickly, and there is much foreshadowing pointing to something terrible that occurred at the end of that summer, which may be the key to July’s current predicament, but there is much misdirection too. Ultimately this is a story without enough setup to make the turn the book takes in the end feel fully developed or earned. All characters read white.

A high-concept premise that falls short in its execution. (Fiction. 14-18)

Pub Date: Sept. 19, 2023

ISBN: 9780593327173

Page Count: 320

Publisher: Dutton

Review Posted Online: July 27, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE WAY I USED TO BE

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 15, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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