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DEATH BY RODRIGO

Mildly amusing setup for what could be a pleasant series, from attorney-author Liebman (Shark Tales, 2000, etc.).

A couple of criminal lawyers run scared from their clients through the South Jersey underworld.

Camden, N.J., home of Campbell’s Soup, has enough mean guys getting into trouble to keep childhood buddies and former cops Mickie Mezzonatti and Junior “Junne” Salerno busy. The two run a criminal defense practice. As dedicated to their job and their clients as Rumpole, but way, way down market from the British defender, they rent office space from a group of ambulance chasers specializing in spurious disability claims. The two are intellectually matched (both scrambled to pass the bar), agree on ethics (no abetting the clients) and share ethnic roots, but there is a critical division: Mickie is an inveterate womanizer, thrice married, and Junne is gay. He’s as closeted as a televangelist, but he’s out to Mickie, who had a hard time accepting the news and still thinks he might be able to turn things around with the right date. Their current professional dilemma is the demand of new client Rodrigo Gonzalez, a drug lord with unrealistic expectations. He thinks the lawyers should be able to get him out of jail and out of America even though he’s locked up on an iron-clad charge. Rodrigo’s sent his associate to explain to the pair that, should they fail their assignment, they will be dead men, and the associate has in turn sent a pair of thugs to illustrate the point. Only Mickie lost his temper before the thugs could show their stuff and beat one of the pair to a pulp, heightening the tension, already dangerously elevated as far as Junne is concerned. Their only hope is a line of defense made up by their shell-shocked law-school classmate, the class valedictorian who washed out of a white-shoe firm and lost his marbles and his wife.

Mildly amusing setup for what could be a pleasant series, from attorney-author Liebman (Shark Tales, 2000, etc.).

Pub Date: Sept. 1, 2007

ISBN: 978-1-4165-3527-0

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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