by Ron Nessen & Johanna Neuman ‧ RELEASE DATE: May 1, 1996
Who slipped something into veteran CNN reporter Dan McLean's soup that made one of his most memorable dinners—the star- studded annual banquet of the White House Correspondents Association—his last? Before you answer, you may want to know that (1) right-wing radio ranter Jerry Knight thinks the murder is part of a botched liberal plot to assassinate another guest, inoffensive conservative President Dale Hammond; (2) Jerry's opposite number, Kennedy-loving Washington Post reporter Jane Day, is convinced McLean was killed to prevent him from going public with a scandalous story dating back to the US evacuation from Vietnam; (3) an amateur videotape captured an image of the Vietnamese poisoner, whose corpse D.C. cop A.L. Jones will soon be called upon to identify; (4) the First Lady, a hard-charging hacker who investigates on her own, comes to suspect the President himself; and (5) none of this matters: A portentous finale at the Vietnam Memorial will reveal that everybody's wrong—all the mystery-mongering is smoke and red herrings, and the killer is nobody you care about. Not that that clue helps to distinguish the perp from the rest of the famous, forgettable cast. Buckets of empty vivacity as Jerry and Jane (Knight and Day, 1995), probably uneasy at being becalmed in such underplotted folderol, volley toothless partisan insults. An early front- runner for the title of the year's most disposable mystery.
Pub Date: May 1, 1996
ISBN: 0-312-85592-3
Page Count: 256
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1996
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by Ron Nessen & Johanna Neuman
by Michael Connelly ‧ RELEASE DATE: July 18, 2017
More perhaps than any of Connelly’s much-honored other titles, this one reveals why his procedurals are the most soulful in...
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The 30th novel by the creator of Harry Bosch (The Wrong Side of Goodbye, 2016, etc.) and the Lincoln Lawyer (The Gods of Guilt, 2013, etc.) introduces an LAPD detective fighting doggedly for justice for herself and a wide array of victims.
Ever since her partner, Detective Ken Chastain, failed to back up her sexual harassment claim against Lt. Robert Olivas, her supervisor at the Robbery Homicide Division, Renée Ballard has been banished to the midnight shift—the late show. She’s kept her chin down and worked her cases, most of which are routinely passed on to the day shifts, without complaints or recriminations. But that all ends the night she and Detective John Jenkins, the partner who’s running on empty, are called to The Dancers, a nightclub where five people have been shot dead. Three of them—a bookie, a drug dealer, and a rumored mob enforcer—are no great loss, but Ballard can’t forget Cynthia Haddel, the young woman serving drinks while she waited for her acting career to take off. The case naturally falls to Olivas, who humiliatingly shunts Ballard aside. But she persists in following leads during her time off even though she’d already caught another case earlier the same night, the brutal assault on Ramona Ramone, ne Ramón Gutierrez, a trans hooker beaten nearly to death who mumbles something about “the upside-down house” before lapsing into a coma. Despite, or because of, the flak she gets from across the LAPD, Ballard soldiers on, horrified but energized when Chastain is gunned down only a few hours after she tells him off for the way he let her down two years ago. She’ll run into layers of interference, get kidnapped herself, expose a leak in the department, kill a man, and find some wholly unexpected allies before she claps the cuffs on the killer in a richly satisfying conclusion.
More perhaps than any of Connelly’s much-honored other titles, this one reveals why his procedurals are the most soulful in the business: because he finds the soul in the smallest details, faithfully executed.Pub Date: July 18, 2017
ISBN: 978-0-316-22598-4
Page Count: 400
Publisher: Little, Brown
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
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by Anthony Horowitz ‧ RELEASE DATE: June 6, 2017
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome...
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A preternaturally brainy novel within a novel that’s both a pastiche and a deconstruction of golden-age whodunits.
Magpie Murders, bestselling author Alan Conway’s ninth novel about Greek/German detective Atticus Pünd, kicks off with the funeral of Mary Elizabeth Blakiston, devoted housekeeper to Sir Magnus Pye, who’s been found at the bottom of a steep staircase she’d been vacuuming in Pye Hall, whose every external door was locked from the inside. Her demise has all the signs of an accident until Sir Magnus himself follows her in death, beheaded with a sword customarily displayed with a full suit of armor in Pye Hall. Conway's editor, Susan Ryeland, does her methodical best to figure out which of many guilty secrets Conway has provided the suspects in Saxby-on-Avon—Rev. Robin Osborne and his wife, Henrietta; Mary’s son, Robert, and his fiancee, Joy Sanderling; Joy’s boss, surgeon Emilia Redwing, and her elderly father; antiques dealers Johnny and Gemma Whitehead; Magnus’ twin sister, Clarissa; and Lady Frances Pye and her inevitable lover, investor Jack Dartford—is most likely to conceal a killer, but she’s still undecided when she comes to the end of the manuscript and realizes the last chapter is missing. Since Conway in inconveniently unavailable, Susan, in the second half of the book, attempts to solve the case herself, questioning Conway’s own associates—his sister, Claire; his ex-wife, Melissa; his ex-lover, James Taylor; his neighbor, hedge fund manager John White—and slowly comes to the realization that Conway has cast virtually all of them as fictional avatars in Magpie Murders and that the novel, and indeed Conway’s entire fictional oeuvre, is filled with a mind-boggling variety of games whose solutions cast new light on murders fictional and nonfictional.
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome this wildly inventive homage/update/commentary as the most fiendishly clever puzzle—make that two puzzles—of the year.Pub Date: June 6, 2017
ISBN: 978-0-06-264522-7
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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edited by Anthony Horowitz ; series editor: Otto Penzler
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