Gloriously inventive work from a master of the form.
Love in its many guises drives these highly appealing eight stories, the third collection from Midwesterner Rindo (Secrets Men Keep, 1995, etc.).
A guy leaves his late shift to go sleep in a cornfield, across from his ex-wife’s new home (“Crop Dusting”). A married couple return from vacation to find the husband’s best friend, stark naked, painting a Michelangelo reproduction on their dining-room ceiling (“Middleman”). A kid buying a van finds himself being stalked by the previous owner’s middle-aged wife (“Like Water Becoming Air”). Developments that appear arbitrary make their own kind of sense in Rindo’s world. Larry sleeps in that cornfield without sinister intent; he sees himself, still, as his ex’s guardian angel. Andrew, the ceiling painter, is deliriously in love with an ex-student, while Al the van-buyer has the misfortune of looking like the recently dead son of Julie. Amy and David, in the title story, are cheating on their spouses with each other, making passionate love in motels. “Desperation,” says Amy, “the ultimate aphrodisiac.” But alongside the desperation, tenderness keeps welling up. Both elements come into play again in “Adrienne’s Perfection,” a hair-raising tale of two teenage siblings, a winner (Adrienne) and a loser (her brother Cisco). Spooked by an unwanted pregnancy, Adrienne proves that even winners make mistakes when she proposes a high-speed double suicide on the highway. Professor Paine, in “Instructional Technologies,” is a different kind of loser, a charmingly eccentric teacher whose only mission is to turn his students on to the sublime pleasures of trout fishing. Rindo’s stories zip along, with dialogue that leaps off the page.
Gloriously inventive work from a master of the form.Pub Date: Oct. 1, 2005
ISBN: 0-89823-225-2
Page Count: 178
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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