An introduction that might tempt readers to explore Poe’s own nightmares.

ROOM OF SHADOWS

What kind of horror might Edgar Allan Poe perpetrate in today’s world?

Angry at the way his life changed after his father left, eighth-grader David Cray beats up a bully in his new school and then retreats to a secret room in the old house in downtown Baltimore his mother has rented. There, unknowingly, he awakens Poe’s spirit, who feeds on David’s rage to re-enact dreadful details of the 19th-century author’s most famous stories. For much of this suspenseful tale it’s not clear who’s responsible for the horrific events: a classmate mummified and nearly killed by a ceiling fan; a dead cat found in a locker; a swinging scythe that threatens another bound classmate. The police and even his mother suspect it might be David. Luckily, new friend Libby Morales (cued as Latina with her name but otherwise culturally indistinct) thinks better of him and works with him to solve the mystery. David’s first-person narrative is presented in short, fast-paced chapters, with occasional commentary from Poe himself. Kidd makes use of authentic setting details—the Enoch Pratt Free Library, Poe’s elaborate grave, and crab cakes from the Lexington Market—but seems to ignore the most salient one: David would probably have been the only white student in his school. A concluding author’s note explains that this is a “dream Baltimore,” where Poe gets the death he deserves.

An introduction that might tempt readers to explore Poe’s own nightmares. (Fantasy. 9-13)

Pub Date: Aug. 1, 2017

ISBN: 978-0-8075-6805-7

Page Count: 256

Publisher: Whitman

Review Posted Online: May 10, 2017

Kirkus Reviews Issue: June 1, 2017

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Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...

HOLES

Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).

Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)

Pub Date: Sept. 1, 1998

ISBN: 978-0-374-33265-5

Page Count: 233

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2000

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This engaging, heartwarming story does everything one can ask of a book, and then some.

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WHEN STARS ARE SCATTERED

A Somali boy living in a refugee camp in Kenya tries to make a future for himself and his brother in this near memoir interpreted as a graphic novel by collaborator Jamieson.

Omar Mohamed lives in Dadaab Refugee Camp in Kenya with his younger brother, Hassan, who has a seizure disorder, and Fatuma, an elderly woman assigned to foster them in their parents’ absence. The boys’ father was killed in Somalia’s civil war, prompting them to flee on foot when they were separated from their mother. They desperately hope she is still alive and looking for them, as they are for her. The book covers six years, during which Omar struggles with decisions about attending school and how much hope to have about opportunities to resettle in a new land, like the United States. Through Omar’s journey, and those of his friends and family members, readers get a close, powerful view of the trauma and uncertainty that attend life as a refugee as well as the faith, love, and support from unexpected quarters that get people through it. Jamieson’s characteristically endearing art, warmly colored by Geddy, perfectly complements Omar’s story, conjuring memorable and sympathetic characters who will stay with readers long after they close the book. Photographs of the brothers and an afterword provide historical context; Mohamed and Jamieson each contribute an author’s note.

This engaging, heartwarming story does everything one can ask of a book, and then some. (Graphic memoir. 9-13)

Pub Date: April 14, 2020

ISBN: 978-0-525-55391-5

Page Count: 264

Publisher: Dial Books

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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