Weber (Catch and Keep, not reviewed, etc.) provides a satisfying answer in the form of a clever motive for murder. Readers...
Charlie Orr’s been camping at the Rainbow Rapids campground since before the State of Michigan took it over and installed retirees Burt and Billie Berry (who calls Charlie simply “Tent Man”) as host and hostess. Now Charlie’s taken root at Rainbow Rapids for good, thanks to two shotgun blasts fired right through the wall of his tent. Who killed him, and was he really the intended victim? In a close-knit community like Ossning, where Charlie’s friends—led by Kabin Kamp owner Verlyn Kelso and Donal Fitzgerald, live-in lover of Verlyn’s ex-wife Mercy Virdon, local field officer of the Department of Natural Resources (DNR)—immediately take up a collection of reward money, even suspecting somebody of murder can be traumatic. So everybody’s happy to ignore the rumors of a link between Charlie’s death and all-too-common local marijuana use and instead read the worst into the disappearance of fellow camper Alec Proffit, the Vermont writer who came all the way to northern Michigan to fish. But Proffit soon turns up with a story of his own: Charlie had the goods on a ring of poachers who’ve long operated under the indifferent eye of the DNR, and he was presumably killed by either the poachers or corrupt DNR officials. As Mercy acutely asks herself, though: “What would matter so much to a poacher?”
Weber (Catch and Keep, not reviewed, etc.) provides a satisfying answer in the form of a clever motive for murder. Readers not equally enamored of the niceties of fly fishing, however, may wonder if the cleverness justifies a whole novel.Pub Date: May 1, 2001
ISBN: 1-885173-70-9
Page Count: 252
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2002
One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are...
A perfect wife’s disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death.
Even after they lost their jobs as magazine writers and he uprooted her from New York and spirited her off to his childhood home in North Carthage, Mo., where his ailing parents suddenly needed him at their side, Nick Dunne still acted as if everything were fine between him and his wife, Amy. His sister Margo, who’d gone partners with him on a local bar, never suspected that the marriage was fraying, and certainly never knew that Nick, who’d buried his mother and largely ducked his responsibilities to his father, stricken with Alzheimer’s, had taken one of his graduate students as a mistress. That’s because Nick and Amy were both so good at playing Mr. and Ms. Right for their audience. But that all changes the morning of their fifth anniversary when Amy vanishes with every indication of foul play. Partly because the evidence against him looks so bleak, partly because he’s so bad at communicating grief, partly because he doesn’t feel all that grief-stricken to begin with, the tide begins to turn against Nick. Neighbors who’d been eager to join the police in the search for Amy begin to gossip about him. Female talk-show hosts inveigh against him. The questions from Detective Rhonda Boney and Detective Jim Gilpin get sharper and sharper. Even Nick has to acknowledge that he hasn’t come close to being the husband he liked to think he was. But does that mean he deserves to get tagged as his wife’s killer? Interspersing the mystery of Amy’s disappearance with flashbacks from her diary, Flynn (Dark Places, 2009, etc.) shows the marriage lumbering toward collapse—and prepares the first of several foreseeable but highly effective twists.
One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.Pub Date: June 5, 2012
ISBN: 978-0-307-58836-4
Page Count: 432
Publisher: Crown
Review Posted Online: April 22, 2012
Kirkus Reviews Issue: May 1, 2012
BOOK REVIEW
BOOK REVIEW
No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.
Happy birthday, Dr. Kay Scarpetta. But no Florida vacation for you and your husband, FBI profiler Benton Wesley—not because President Barack Obama is visiting Cambridge, but because a deranged sniper has come to town.
Shortly after everyone’s favorite forensic pathologist (Dust, 2013, etc.) receives a sinister email from a correspondent dubbed Copperhead, she goes outside to find seven pennies—all polished, all turned heads-up, all dated 1981—on her garden wall. Clearly there’s trouble afoot, though she’s not sure what form it will take until five minutes later, when a call from her old friend and former employee Pete Marino, now a detective with the Cambridge Police, summons her to the scene of a shooting. Jamal Nari was a high school music teacher who became a minor celebrity when his name was mistakenly placed on a terrorist watch list; he claimed government persecution, and he ended up having a beer with the president. Now he’s in the news for quite a different reason. Bizarrely, the first tweets announcing his death seem to have preceded it by 45 minutes. And Leo Gantz, a student at Nari’s school, has confessed to his murder, even though he couldn’t possibly have done it. But these complications are only the prelude to a banquet of homicide past and present, as Scarpetta and Marino realize when they link Nari’s murder to a series of killings in New Jersey. For a while, the peripheral presence of the president makes you wonder if this will be the case that finally takes the primary focus off the investigator’s private life. But most of the characters are members of Scarpetta’s entourage, the main conflicts involve infighting among the regulars, and the killer turns out to be a familiar nemesis Scarpetta thought she’d left for dead several installments back. As if.
Pub Date: Nov. 11, 2014
ISBN: 978-0-06-232534-1
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: July 22, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK TO SCREEN
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