This collection about love offers snippets of joy, small and large, and the tart balances the sweet to just the right degree.
A delightful collection of short stories that explore the myriad facets of falling in and out of love.
People are complicated. They have moods and frustrations and make impromptu decisions that have long-lasting repercussions. Love—falling in love, being in love, trying to rediscover love—can be even more wildly complex because it involves two people coming together. In this collection of 15 short stories, published together for the first time, Pilcher (1924-2019) has done something remarkable. Despite the brevity of the tales and the thematic constants (American-British pairings; living in London; monthlong trips; weekends in the country; wild and cultivated gardens; jobs as fashion editors, nurses, and lawyers; unexpected accidents; chance encounters; and a plethora of family members and siblings and children and loving mothers and, sometimes, women who have no one at all), each story stands alone, unique and memorable, with its own story of love found. Many stories cut off at their apexes—a kiss, a walk through an orchard, a walk up the aisle, the realization of joy and love and home found within another soul. These stories are very much products of the times in which they were written, however—many in the 1970s and '80s—and some notes clang instead of sing: the 30-year-old man dumping his girlfriend to rush to the side of an 18-year-old woman he'd secretly kissed and who's now home alone while her mother is gravely injured, and calling it selfless; the focus on being thin, looking too thin, or becoming fat after eating a few solid meals.
This collection about love offers snippets of joy, small and large, and the tart balances the sweet to just the right degree.Pub Date: July 27, 2021
ISBN: 978-1-2502-7495-3
Page Count: 304
Publisher: St. Martin's
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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