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MICE

The simple, rhyming text, very large print and crisp, vibrant images make this one an excellent choice for sharing with your...

This fresh interpretation of a classic poem is a charmer.

Ehlert illustrates Fyleman’s simple, well-loved poem with her trademark vibrant collages, in this case, made from string and handmade paper. A single triangle forms the body of each mouse, while a second triangle perches on top to form the head. Add pink circles for ears, bright white rectangles for teeth, more colorful circles for eyes and strings for arms and legs—with knots serving as wrists and ankles—and you’ve got two majorly adorable mice. A consistent black background emphasizes the nighttime setting and allows the textures and colors of the handmade paper figures to really shine. Children will delight in following the mice as they enjoy the run of the house: using art supplies to create their own collages; playing with lipstick, a toothbrush and dental floss; scampering over fruits and vegetables; chowing down on crackers, cupcakes and cereal. They will also be tickled to discover that the narrator of the poem turns out to be none other than a big, grinning cat with a gleam in his eye. No wonder he insists that mice “are rather nice.”

The simple, rhyming text, very large print and crisp, vibrant images make this one an excellent choice for sharing with your favorite group of toddlers or preschoolers. (Picture book. 3-5)

Pub Date: Oct. 16, 2012

ISBN: 978-1-4424-5684-6

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Aug. 28, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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IF WE WERE DOGS

Perfect for every underdog who wants to have a say.

A dog-loving child encourages a less-than-enthusiastic younger one to imagine they’re both canines.

From the first declaration—“I’d be a big dog! And you’d be a little one!”—readers know who’s calling the shots. Initially, the protagonists cavort off the page and through the neighborhood together, performing doggy capers such as tail wagging, stick carrying, and dirt digging. But by the time they encounter a multitude of like-minded creatures at the dog park, the disgruntled small pup is exhibiting out-and-out rebellion: “Being a dog is YOUR idea! Sometimes I HAVE IDEAS TOO!” The narrative wraps up with the younger child pretending to be a different animal entirely—cleverly foreshadowed through subtle details in the illustrations. Even the endpapers—lively silhouettes of dogs in the beginning and many different animals in closing—extend the theme to suggest the imaginative possibilities of pretend play. Cheerful, lightly hued colors fit the whimsical mood, while expressive body language allows the art to tell the story with a minimum of words. Ending on a surprising note, with a sweet compromise between the two main characters, the tale gives both kids the freedom to embrace their own preferences and styles—while still enjoying their game.

Perfect for every underdog who wants to have a say. (Picture book. 3-5)

Pub Date: Sept. 16, 2025

ISBN: 9780316581721

Page Count: 40

Publisher: Little, Brown

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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