A story about making life whole—that’s also really funny.

SEE YOU WHEN I SEE YOU

From the My Happy Life series , Vol. 5

The fifth installment in the Swedish early chapter series featuring Dani, a young white girl.

Dani is starting second grade, and although she still misses her “best friend in the whole world,” Ella (who has moved), she is overjoyed that her father, Gianni, has returned home after a summer of hospitalization following an accident. She is also looking forward to the class trip to Skansen Zoo. But at Skansen, two of Dani’s classmates tell her she looks like the monkeys, and Dani runs off. Lo and behold, she runs into Ella, whose unruly class is also visiting. The two sneak off to play, and Dani realizes that Ella is unhappy in her new class, which makes Dani unhappy. Lagercrantz expertly and respectfully weaves themes of moving on, resilience, and friendship; Eriksson’s black-and-white illustrations give heart and warmth. (In the illustrations, everyone’s skin is the white of the paper, but racial differences are hinted at in facial features and hair.) The beauty and magic of these books is that, while they are full of sweetness, they embrace reality. Dani is not ready to let Sadie, the nurse her father fell in love with over the summer, into her life and acts out. And Dani’s maternal grandmother (Dani’s mother died five years earlier) sides with Dani, a sophisticated insertion that is in line with Dani’s (and presumably, readers’) growing maturity.

A story about making life whole—that’s also really funny. (Fiction. 5-8)

Pub Date: Aug. 1, 2017

ISBN: 978-1-7765-7129-1

Page Count: 152

Publisher: Gecko Press

Review Posted Online: June 14, 2017

Kirkus Reviews Issue: July 1, 2017

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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