by Roshani Chokshi adapted by Joe Caramagna ; illustrated by Anu Chouhan ‧ RELEASE DATE: April 5, 2022
A dynamic graphic-novel adaptation of a fan favorite.
Chokshi’s beloved middle-grade fantasy gets the graphic-novel treatment.
Aru Shah lives above the Museum of Ancient Indian Art and Culture—where her mother is the curator—and often visits the statues of ancient gods and goddesses in her free time. To impress her classmates, Aru claims that she lives downtown and has an elephant and a magic lamp. When she is caught in her lies, Aru does something she knows is risky: She lights the Diya of Bharata, a move that releases a dangerous spirit known as the Sleeper. Aru is then informed by Subala, a pigeon, that it’s her mission to save the world alongside her newly discovered soul sister, Mini, and that both girls are a reincarnation of the Pandava brothers, who, according to the Mahabharata, once engaged in civil war with their 100 cousins. Adapter Caramugna and illustrator Chouhan put a new spin on Aru’s story in ways that will reach the ever growing audience for middle-grade graphic novels. Chouhan’s vivid depictions of Hindu gods and goddesses are colorful and detailed, and Caramugna’s text captures the essence of the original novel while also maintaining its quick pacing, compelling scenes of action and adventure, and strong character development. Aru and Mini are South Asian.
A dynamic graphic-novel adaptation of a fan favorite. (Graphic novel. 8-12)Pub Date: April 5, 2022
ISBN: 978-1-368-07436-0
Page Count: 128
Publisher: Rick Riordan Presents/Disney
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
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by Thom Pico & Karensac ; translated by Anne Smith & Owen Smith ; illustrated by Karensac ‧ RELEASE DATE: March 2, 2021
Imaginative, feel-good fun.
More magical al fresco adventures abound!
In this full-color follow-up to Aster and the Accidental Magic (2020), Aster and her talking dog, Buzz, return in two new tales. In the first, “Why So Much Wool?” strange accidents repeatedly occur around Aster’s village, and upon investigation, she and Buzz discover a rogue band of muttonheaded sheep (known as the BAAAAAH-ligerent Army) led by a talking ram named Keras, who has proclaimed himself the Great Leader of the Sheep Revolution. Lucky for Aster, the dimwitted sheep are easily outsmarted, but not Keras, whom she must stop before he destroys her home. The second tale, “The End of Everything (and What Was Left),” focuses more on the natural magic from the previous volume. Each season has a royal who helps preserve the balance, passing along a crown to mark the transitions between their reigns. When the crown disappears, Aster ventures to the Labyrinth of Chimeras in an attempt to reforge it and restore the balance before the trickster Rapscallion can escape. This second outing pulls readers into a delightfully wrought world with a strong emphasis on nature and the outdoors and the real and imaginary magic contained therein. Joyous, effervescent illustrations mark this French import. For Aster aficionados, further journeys are hinted at in a subsequent volume in which Aster and her family travel to Japan. Aster and most human characters read as White.
Imaginative, feel-good fun. (Graphic fantasy. 8-12)Pub Date: March 2, 2021
ISBN: 978-0-593-12534-2
Page Count: 256
Publisher: Random House Graphic
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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by Thom Pico ; illustrated by Karensac ; translated by Anne Smith & Owen Smith
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by Nick Bruel ; illustrated by Nick Bruel ‧ RELEASE DATE: Dec. 29, 2020
This kid-friendly satire ably sets claws into a certain real-life franchise.
A trip to the Love Love Angel Kitty World theme park (“The Most Super Incredibly Happy Place on Earth!”) turns out to be an exercise in lowered expectations…to say the least.
When Uncle Murray wins a pair of free passes it seems at first like a dream come true—at least for Kitty, whose collection of Love Love Kitty merch ranges from branded underwear to a pink chainsaw. But the whole trip turns into a series of crises beginning with the (as it turns out) insuperable challenge of getting a cat onto an airplane, followed by the twin discoveries that the hotel room doesn’t come with a litter box and that the park doesn’t allow cats. Even kindhearted Uncle Murray finds his patience, not to say sanity, tested by extreme sticker shock in the park’s gift shop and repeated exposures to Kitty World’s literally nauseating theme song (notation included). He is not happy. Fortunately, the whole cloying enterprise being a fiendish plot to make people so sick of cats that they’ll pick poultry as favorite pets instead, the revelation of Kitty’s feline identity puts the all-chicken staff to flight and leaves the financial coffers plucked. Uncle Murray’s White, dumpy, middle-aged figure is virtually the only human one among an otherwise all-animal cast in Bruel’s big, rapidly sequenced, and properly comical cartoon panels.
This kid-friendly satire ably sets claws into a certain real-life franchise. (Graphic satire. 8-11)Pub Date: Dec. 29, 2020
ISBN: 978-1-250-20808-8
Page Count: 160
Publisher: Roaring Brook Press
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by Nick Bruel ; illustrated by Nick Bruel
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by Nick Bruel ; illustrated by Nick Bruel
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by Nick Bruel ; illustrated by Nick Bruel
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